Author Archive: Dan P.

Bargain Hunting

Santé
The Magazine for Restaurant Professionals
April/May 2001
Page 30

FROM THE CELLAR
Bargain Hunting

I feel a little like the restaurant reviewer starting a column with “there’s this great little hole-in-the-wall that I probably shouldn’t say anything about, because it’ll become something that isn’t a great little hole-in-the-wall.” So how do you go about telling other wine buyers about wine bargains without writing yourself out of the bargain-hunting game?

The easy answer is that there are a whole lot more bargains out there than there are great little holes-in-the-wall, and bargain hunting takes more work than hopping in a cab to a back street on the Lower East Side of Manhattan.

DO-SI-DO

From my perspective, the key to good deals lies in my connection with suppliers and their suppliers. The process of building a good relationship is a lot like dating. There are boundaries to be worked out, phone calls to make, liaisons to keep and parents to please (i.e., restaurant owners and the owners of the distribution companies).

I learned long ago that the relationship cannot be one-sided if I want the really good deals. Wine buyers who think that they hold all the cards are sadly mistaken. Refusing to make appointments (“just drop bottles off”), blowing off appointments (“my time is more important than yours”) and similar moves just don’t work. Sooner or later, your suppliers will forget to mention a bargain that they know you would want. They will sell to someone more appreciative.

By the same token, you should understand that suppliers don’t hold all the cards either. Such supplier attitudes as “you can only have this if you buy that” and “if you don’t buy this, my boss is going to remember that when you ask for…” are equally counterproductive. There is no wine or spirit out there that you really have to have. You always can buy something else from another supplier.

Sometimes we dance the dance. A sales rep calls at the last minute and asks for a quick meeting with an importer rep who suddenly showed up at his/her door. We take ten minutes out of our lives and make him/her look good. Invest a little time with that importer rep or winery owner too – don’t forget who controls the flow of wine one link back on the chain. Sometimes the importer or the winery has something in stock that just might be made available to the right person.

The supplier tango usually doesn’t pay off overnight. Just like dating, we might only make it to first base for a while, then second, then third. Then one day we show up at work and find ourselves at home plate.

SUDDENLY ALL LESS EXPENSIVE (S.A.L.E)

What are the bargains to jump on, and what are the bargains to avoid?

Post-offs and closeouts. These are usually deals to help move stock that is not moving or to clear a line that is being dropped. They might look attractive, but look carefully; these wines aren’t moving for a reason. I always like to know the exact nature of the offer: Is the wine too old? Bad? Was it far overpriced and is now being offered at what it should have been?

Direct imports and direct offers. These deals are a method that suppliers use to sell something that they do not have yet so that they can judge how much to buy. Here is a nice way to pick up something at a slight discount. Saving that ten percent is attractive, but choose carefully; remember, if customers love the wine, there will be no more of it at the same rate. Will they still love it when the price goes up?

Vintage clearances. These deals are easy to like and to execute, but they do require a sizable up-front investment. Suppliers discount to clear space in a warehouse for a new vintage. They want the wine out of there – not just two cases, all of it. Make them an offer. Yes, it is an investment in cash and storage space, but you’d be surprised how much discounting room there is in the price.

Gems. These are my favorites and are what make the whole dance and dating ritual with your supplier worthwhile. These are the deals that are handed to us because of the relationships that we have built. Sometimes these gems come from your carefully nurtured sales reps, sometimes from their boss or from the winery or importer behind the scenes.

Gems are the “we’ll reserve all of this for you, at a reduced price, if you’ll feature it” deals. An exclusive with a discount – you can’t beat that.


Santé is a glossy format trade magazine for restaurant wine buyers and educators. I wrote as a freelancer for them on and off from the first issue in November 1996 until November 2002 when they decided to stop using freelance writers.

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Throwing the Perfect Oscar Night Party

Q San Francisco
March 2001
Pages 56-57

Throwing the Perfect Oscar Night Party

martiniglassI have never been nominated for an Academy Award. I’m informed by friends in the know that this relates to my not having acted since a production of ‘Twas the Night Before Christmas in fourth grade. I narrated; Brilliantly, I might add. Regardless, I don’t find myself in possession of one of those golden statuettes, affectionately dubbed “Oscar”. Hollywood’s most enduring symbol of achievement was described by screenwriter Francis Marion as “the ideal symbol… an athletic body… with half its head, that part which held his brains, completely sliced off.” At 13-1/2 inches high it would be just perfect as a centerpiece on my dining table.

The true purpose of the Academy Awards, for those of us living in the forgotten fringe of theater stardom, is to see and be seen. It is far more important to be seen IN an Oscar de la Renta than WITH an Oscar de la Statue. The golden boy on your arm should be slightly more pliable than cast metal, and preferably earning his own paycheck.

In this regard, it is truly the Oscar Party that is more important than the awards ceremony. Who’s at the Governor’s Ball? Who’s at Spago? Who’s at Pagani? Who’s with whom? I might note, nobody’s asking, “what did they eat?” Lets face it, more than one salmon canapé and they’ll start popping out of their Cynthia Rowley gowns. Wolfgang Puck may have roasted his chicken breasts with risotto and black truffles, but it didn’t make the front page. As long as there’s champagne and cocktails, everyone’s happy. Not me. Personally, I can’t tell the difference between a Vera Wang and a Vera Charles; But I’ll whip up a Snapper Veracruz or a Pasta PrimaVera faster than you can fasten your seatbelts. There may be no statuette on my sideboard, but I can put a Veal Oscar in front of you that’ll make you forget about Cher’s new dress.

To throw a fab Oscar party begin by inviting those friends you can make catty comments about the movies with, get a big screen TV, and set up the dining table where you can watch the whole thing while you wine and dine. Also, bring out the good crystal, china and silver service – let’s do this right!

THE NOMINEES ARE…

Start the night off by preparing “real” cocktails, not cosmos and apple-tinis and woo-woos. If you must drink those, please do it in secret. Martinis and Manhattans are perfect for this sort of party; simple, elegant drinks. A couple of notes about Martinis: First, they involve two ingredients, either gin and vermouth or vodka and vermouth. Looking at the vermouth bottle does not constitute making it an ingredient – that’s a glass of vodka or gin, up. I know we’ve all been raised to think a dry martini doesn’t contain the stuff – it does – just less of it. The original martini was 1/3 vermouth. A dry one should be about 1/8. Try it, you might find out that a martini is actually capable of having flavor. Also, let’s put one fallacy to rest her and now, gin doesn’t bruise. You can shake or stir to your heart’s content. The only thing that shaking does is dilute the gin (or vodka). The same will happen if you stir too long.

When it comes to preparing cocktails, always use good quality ingredients. My current faves for vodka: Mor, Van Hoo, and Rain. Save the more commercial brands, albeit good, for cocktails where the other ingredients are providing the flavor. For gins: Old Raj, Tanqueray #10, and Junipero. Noilly Prat makes a good, basic dry vermouth, but you might try one of the new, interesting brands like King Eider or Vya.

In my book, Manhattans contain bitters. Just a couple drops, but like the vermouth in a Martini, they add to the complexity. A Manhattan is also classically made with rye whiskey. Bourbon makes a good drink as well, but for a change of pace, why not try the original?

Again, good quality ingredients are key. For rye, Canadian Club Classic (12 year old) makes a great drink. My favorite, Van Winkle Family Reserve (13 year old). For sweet vermouth I prefer Martini & Rossi. Also give a look at Vya, which makes a unique style.

THE ACADEMY AWARD GOES TO…

Veal Oscar

The classic Veal Oscar is a cutlet of veal topped with white asparagus, crabmeat, and Bearnaise sauce. With a little inspiration from a chef friend, here’s my, slightly different, version. Serves six.

6 thin veal cutlets
1 package of “dashi” flakes (about 5 grams)
3 sheets of “nori”
salt
freshly ground black pepper
3 dozen asparagus spears
1 pound lump crabmeat
½ cup rice flour
2 eggs
1/4 cup cooking oil

Sauce:
juice of two lemons
3 tablespoons stone-ground mustard
2 egg yolks
1 cup olive oil
1 branch of fresh tarragon leaves

Dashi flakes are dried, shaved bonito (a tuna relative) that are used to make broth. Nori sheets are the large green seaweed squares used in making sushi. Both should be available at a good grocery or certainly at any Japanese market.

You will need two small plates and a bowl to prepare. On one plate put the rice flour, on the other, a finely processed (in your food processor) mix of the dashi and nori. In the bowl, lightly beat the two eggs with a couple spoonfuls of water. Season the cutlets with salt and pepper. Coat in the flour, dip in the egg wash, and then coat well with the dashi/nori mix.

Saute in the oil in a large skillet until golden brown on both sides. Place on a warm platter in the oven to hold until ready to serve. Meanwhile, cook your asparagus in just a little water and butter until tender. Season with salt and pepper and reserve on the side.

In your blender, on fairly high speed, whip together the mustard, lemon juice and egg yolks. Gradually add the olive oil – you are basically making a light mayonnaise. At the last moment, drop in the tarragon leaves (not the branch) and process till finely chopped.

In a small pan, warm the crabmeat and when it is hot, stir in enough of the sauce to thoroughly coat the crab. Remove from the heat.

To serve, place a cutlet on each plate, decoratively arrange a half dozen asparagus spears, and top with a good dollop of the crabmeat mixture. Pop a bottle of champagne, or pour another round of cocktails, and seal your bets on Best Picture with a toast.


Q San Francisco magazine premiered in late 1995 as a ultra-slick, ultra-hip gay lifestyle magazine targeted primarily for the San Francisco community. It was launched by my friends Don Tuthill and Robert Adams, respectively the publisher and editor-in-chief, who had owned and run Genre magazine for several years prior. They asked me to come along as the food and wine geek, umm, editor, for this venture as well. In order to devote their time to Passport magazine, their newest venture, they ceased publication of QSF in early 2003.

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Millennium Dinner

20010114Although the whole Y2K thing was oriented around the change in the year from 1999 to 2000, because of some potential computer glitches (that didn’t happen, but the hype surrounding it all was impressive), the actual date of the change of the millennium was January 1, 2001, not 2000. We celebrated with an understated dinner.

Second Sunday Supper Circle
January 14, 2001

Portobello Soup
Champagne Vranken Brut Cuvee de l’An 2000

Scallop Mousse, Root Vegetable Hash
Hidden Cellars Alchemy, 1995

Braised Rabbit
Giuseppe Quintarelli Alzero, 1991

Poppy Seed Torte
Schloss Vollrads Eiswein Auslese, 1970

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Hot & Spicy

Q San Francisco
January 2001
Pages 56-57

Hot & Spicy

In the town that I grew up in there were two Chinese restaurants. Both served what I’ve since come to regard as watered down Cantonese-American cuisine; sweet and sour shrimp, chicken with snowpeas, pressed duck, chow mein – you know the drill.

I remember in high school when a third restaurant opened serving Szechuan and Hunan food. All of the sudden there were hot peppers, ginger, garlic and onions. This was a brave new world for those of us who thought extreme heat was drinking the red sauce that came with a Taco Bell taco.

chiliesThe first time I tried some, I instantly fell in love with spicy foods – and thus began a long and exciting journey of exploration into foods that have some zip. Bottles of hot sauce were consumed, and no pepper was left unturned; but somewhere along the line it became clear that this was all just about heat and pain – what was needed was balance.

In the past few years I’ve returned to exploring the world of Chinese and other Asian cuisines. A few millennia of kitchen time suggested that there had to be something more to these foods than just a chance to sweat. Sure enough, there’s lots to eat, lots of spice, and, most importantly, lots of flavor!

The provinces of Szechuan (Sichuan) and Hunan are located in west-central China. They comprise an area that is at the core of the most ancient parts of Chinese culture. Hunan is a well-cultivated area that provides a huge range of vegetables for use in cooking. Szechuan is a mountainous region with a more limited selection of vegetable foodstuffs, but a larger selection of wild game.

Much of what is used in the cooking of these regions is medicinal in origin. The use of chilies is, historically, a way of inducing perspiration to stave off excess “dampness” in the body. In areas where humidity is high, this can help promote better health. In addition, chilies are a natural antiseptic.

What is most distinctive about these cuisines over other Chinese regional cooking is the emphasis on freshness and flavor over color and presentation. It is a more pragmatic, home-cooking style of food preparation. Dishes commonly open with a pungent, up-front “assault” on the palate that quickly subsides and opens up the taste buds to a wide range of flavors.

It is very common in the food of this region to make use of the traditional Chinese medicinal theory of tastes – sweet, sour, salty, pungent, and bitter – in combination in each meal. Potent, stimulating meals are common: the theory being that they are best suited for promoting active, energetic lives in response to a hot, humid climate.

One of the first dishes from this region I ever had, and still one of my favorites is the ubiquitous “Kung Pao Chicken”.

Kung Pao Chicken

1 pound boneless chicken breasts
2 tablespoons soy sauce
2 tablespoons rice wine
1 teaspoon sugar
2 teaspoons cornstarch
1 scallion, chopped
2 teaspoons chopped fresh ginger

Cut chicken in bite size pieces, mix with the other ingredients and set aside for half an hour.

5 fresh hot chilies
1/4 cup raw peanuts
1/4 cup peanut oil

Heat oil and fry the chilies until they turn dark brown. Remove and set aside. Add the peanuts to the oil and fry until golden brown. Remove and set aside.

3 scallions, sliced
6 cloves garlic, sliced
3/4 cup chicken stock
2 tablespoons soy sauce
1 tablespoon rice wine
1 teaspoon salt
1 teaspoon sugar
2 teaspoons cornstarch
1 teaspoon red wine or brown vinegar

Pour off all but three tablespoons of the oil and stir-fry the chicken for 2 minutes. Add the scallions and garlic and continue to stir-fry for another minute. Add the chili peppers back in along with the chicken stock, soy sauce, rice wine, salt, sugar and cornstarch (mixed together to dissolve the solids). Cover and simmer until the chicken is tender and cooked through, 3-4 minutes. Add the vinegar and the peanuts, toss together and serve.

What Wine Do I Serve?

My current “fave” in the wine world to accompany spicy food is the Viognier grape. This white varietal originates in the northern Rhone valley in France where it is the constituent of such famous wines as Condrieu and Chateau-Grillet, and an aromatic addition to the red wines of Cote-Rotie. In recent years, it has become the darling of the California “Rhone Rangers”, and more and more, deliciously dry, aromatic and richly flavored wines are being turned out domestically.

Some producers I’m particularly fond of from the home front are Arrowood and Kunde from Sonoma, Alban from San Luis Obispo, and Rosenblum from Napa. In the Rhone world, keep an eye out for Gangloff, Andre Perret, and Pichon. If you want to try something truly esoteric, and in truth, a bit odd, give a shot at a bottle of Chateau-Grillet.


Q San Francisco magazine premiered in late 1995 as a ultra-slick, ultra-hip gay lifestyle magazine targeted primarily for the San Francisco community. It was launched by my friends Don Tuthill and Robert Adams, respectively the publisher and editor-in-chief, who had owned and run Genre magazine for several years prior. They asked me to come along as the food and wine geek, umm, editor, for this venture as well. In order to devote their time to Passport magazine, their newest venture, they ceased publication of QSF in early 2003.

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The Perfect Cocktail Party

Q San Francisco
November 2000
Pages 60-61

The Perfect Cocktail Party

greenoliveEver since seeing Mame for the first time, I’ve wanted to through lavish, unconventional cocktail parties. What could be more fun than having your apartment completely redecorated every couple of weeks, inviting scads of the most interesting people to come “in-theme,” and serving up the best cocktails, the finest wines, and food that amazes one and all?

I recently had the opportunity to attend a theme party where the hosts had the wherewithal (I love that word! I’m not broke, I just don’t have any wherewithal…) to do up an Arabian Nights theme. To paraphrase my favorite golden girl, “Picture this, Long Island, September 2000…”

The hundred guests were put up in a local hotel, at the hosts’ expense. We were picked up and driven to their home, where we were deposited at the end of a long, paving-stone drive. The drive was lined with boys. Each was wearing nothing but harem pants and holding a large torch, held jutting forth from, well, an appropriate spot to jut forth from. We walked the drive doing the Madeleine Kahn thing, “no, no, yes, no, yes, yes…”

At the end of the drive were the elephant and camel, available for rides. We veered right into the courtyard where we were entertained for an hour or so by fortune tellers, belly dancers, boys and girls in various revealing costumes, cocktails, wine and canapes. Dinner was held in a tent in the backyard – complete with seating for the hundred plus guests, a dance floor, a stage (upon which performed, at various times, more dancers, a band, singers, and a stand-up comic).

When the hosts decided it was time to end the party, they played “Last Dance”, announced that our rides were awaiting at the other end of the drive…and, well, it was over. Now that’s the way to run a party. I just need a little more wherewithal.

I’m going to leave the redecorating to your own imaginations, the invitations for the amusing and facile as well. Food and wine, I can help with. Of course, I don’t know what theme you’ll pick, but at least I can offer a guide to my last theme party – I decided on turning my apartment into a Spanish tapas bar.

Tapas bars, as you may or may not know, are delightful places that Spaniards frequent as a prelude to dining. Starting at an appropriate point in mid-evening, you gather with friends and nibble on various tidbits while consuming a glass or two of sherry, wine or a cocktail. Generally you stand and imbibe, then move your cadre on to your next favorite spot. For my party, I send invitations to forty of my dearest friends and received 70 RSVPs! I have a six-hundred square foot studio apartment. Standing room was the perfect approach. I moved all furniture off to the sides except the dining table. My desk became the wine bar – both were draped in some sort of Spanish looking tablecloth.

I bought olives. Lots of olives. I bought serrano ham, chorizos and other appropriate charcuterie. I bought wine – sparkling, white, red, and sherry. All Spanish of course. Then I had to cook. Two dishes became the hits of the evening, prawns with garlic, and my romesco sauce with grilled veggies and bread to dip in it.

Prawns with Garlic

To serve 10 as a tapas

1/2 cup of olive oil
5 dozen decent sized shrimp (shells and head-on preferred)
2 teaspoons salt
1 head of garlic, peeled and thinly sliced
2 teaspoons red pepper flakes
2 cups of light, dry sherry
1 bunch of flat leaf parsley, minced

Unless you have a huge skillet, you’ll need to split this in a couple of batches. Heat the oil until it is quite hot. Add the shrimp and salt and stir-fry for a minute. Add the garlic and pepper flakes and cook until the shrimp are nice and pink. Add the sherry and cook until it the sauce thickens slightly. Toss in the parsley and serve immediately. It’s best to leave the shells on the shrimp as they add flavor, and make it more fun for the guests to peel their own (or eat, shell and all, which is quite do-able).

Grilled Veggies, Bread & Romesco Sauce

2 japanese eggplants, sliced
2 zucchini, sliced
2 yellow squash, sliced
2 red bell peppers, cut in strips
1 bunch asparagus, pared of any tough ends
1 loaf crusty white bread, sliced (reserve the ends)
1/2 cup olive oil
salt and pepper

A stove-top grill works fine for this dish. Brush the veggies with olive oil, salt and pepper them to taste, and grill until done. Drain and serve on platters with Romesco sauce.

1 cup almonds
Bread loaf ends (each about 1 to 1-1/2″ thick)
6 garlic cloves, unpeeled
2 red bell peppers, stemmed, seeded & chopped
6 tomatoes, chopped
3 tablespoons paprika
1 teaspoon salt
1 teaspoon fresh black pepper
1 tablespoon red pepper flakes
2 cups olive oil
1 cup sherry vinegar

Toast the almonds, bread and garlic cloves in a 400F oven for 10-15 minutes till lightly browned. Put the bread and almonds in a food processor and process until finely ground. Peel the garlic cloves and add to processor with tomatoes, peppers, and seasonings. Process until smooth. Gradually add the olive oil and then the vinegar while processing. You should end up with about five cups of a thick, smooth sauce that is perfect for dipping the grilled veggies and bread in.

Your beverage choices are, again, going to be determined by the theme of the evening. As an accompaniment to my tapas dinner, I had a selection of dry sherries, cava (Spanish sparkling wine), white and red wines, and then after dinner drinks to go with the later desserts.

For dry sherry, I recommend one good manzanilla, like the Hijos de Rainera Perez Marin “La Guita” and perhaps a nice amontillado, E. Lustau “Los Arcos” would be excellent choices. Cava, the premier Spanish sparkling wine is generally light, crisp and delicate, generally from the Penedes region. Wonderful selections can be had from Juan-Esteve Avinyo-Nadal, Castillo Perelada and Jaume Serra.

A good white wine choice would be an Albariño from the north of Spain. Personal favorites include Martin Codax, Lagar de Cervera, and Fillaboa. You might consider a rosé, as Spain makes some excellent ones. Best choices include Muga and Conde de Valdemar. And for a red, the classic Spanish grape Tempranillo makes a winning evening – try Sierra Cantabria or El Coto Riojas, especially the latter’s Coto de Imaz Reserva, or any of the wines from the Abadia Retuerta winery.

You can finish with a selection of Pedro Ximenez based dessert wines – my current favorite, and a great value, the Alvear “Solera Diego Abuela No. 27” from Montilla-Moriles. A nice Spanish brandy for those who like a little after-dinner fire – Gran Duque d’Alba or Cardenal Mendoza would be great choices.


Q San Francisco magazine premiered in late 1995 as a ultra-slick, ultra-hip gay lifestyle magazine targeted primarily for the San Francisco community. It was launched by my friends Don Tuthill and Robert Adams, respectively the publisher and editor-in-chief, who had owned and run Genre magazine for several years prior. They asked me to come along as the food and wine geek, umm, editor, for this venture as well. In order to devote their time to Passport magazine, their newest venture, they ceased publication of QSF in early 2003.

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A Roll of the Deiss

20001008Another one of our wine themed dinners – here, with all but the sparkling to launch the evening, from Marcel Deiss, one of my favorite Alsace producers.

A Roll of the Deiss
Sunday, 8 October, 2000

Alain Robert “le Mesnil” Blanc de Blanc, 1985
Roasted Beet & Pecan Salad

Marcel Deiss Gewurztraminer “Bergheim”, 1995
Sauteed Shrimp with Chanterelle Sauce

Marcel Deiss Riesling “Engelgarten”, 1994
Matelote

Marcel Deiss Pinot Noir “Burlenberg” Vielles Vignes, 1996
Roast Pork Loin with Black Trumpet Confit

Marcel Deiss Pinot Gris “Bergheim” Vendanges Tardives, 1994
Yogurt with Jonagold Apples & Honey

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Shades of Yellow

20000910Another color themed dinner I did a lot of those, and long before the modernist trend we’re seeing in 2015 for “monochrome” dinners. Prescient, that’s what I was, prescient.

Second Sunday Supper Circle
September 10, 2000

Cantaloupe and Yukon Gold Potato Soup
Chandon Reserve Cuvee 491

Peach & Yellow Tomato Salad with Pineapple Sage
Paul Blanck Riesling “Schlossberg” 1996

Grilled Mantis Shrimp with Carrot Fondue
Joseph Drouhin Volnay-Chevret 1993

Veal Cutlets in Bonito & Nori Flakes & Lotus Root
Ch. Balestard la Tonnelle St. Emilion 1990

Queso Azul Monje, Fresh Dates
Dragon’s Lair Farm Kona Coffee

Limoncello De Marco

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Manhattan’s Hottest New Restaurants

manhattanshottest

Q San Francisco
September 2000
Pages 54, 55, 62

Manhattan’s Hottest New Restaurants

In New York restaurants pop up like a jack-in-the-box and close nearly as fast. Some restaurateurs take advantage of the world of trendy, treating their venues practically as day-trades. The glitterati come, see and be seen, and move on – but they come back when the theme, along with the chef and management changes; sometimes it seems they don’t even remember having been there before.

A half-dozen fairly high profile restaurants have opened within the last month. Another half-dozen are slated to open in the next few weeks. I predict three of those will be closed and three will be enroute to closure by the time you read this. Of the others, one, perhaps two, will shine and garner accolades from press and customers alike. That’s the key: the press and the customers need to like the place.

I was sitting with a group of restaurant friends a few nights ago and the question came up, “What restaurants have you been back to?” In the long run the ultimate measure of a restaurant’s quality is repeat customers – people who return time and again because the food is good, the winelist well chosen and varied, service is friendly yet unobtrusive and the ambiance is welcoming and enjoyable.

We came up with three places that all of us have been to repeatedly. The winners of our unofficial, apocryphal, and totally biased survey are: Five Points, AZ, and Fressen. Interestingly, all of our choices are in off-beat locations.

Five Points

Five Points is planted, nearly anonymously, on a cobblestoned block in the lower east side called Great Jones Street. It’s a half a block from the Bowery home to a mix of SRO hotels, half-way houses and off-off-Broadway theater companies and performance spaces.

We love the room. It has the feel of being in a large boathouse. I keep expecting a group of rowers to troop through the room ready to stroke their way along some nearby river. The room is divided by a long, hollow tree trunk, and a stream of water flows from one end to the other. High vaulted ceilings and indirect lighting create a comfortable place to sit and relax.

Chef Mark Meyer’s casual American food is comfort food with class. The kitchen offers wood-oven roasted foods that bring back memories of backyard barbecues and campfires. Admittedly, we never had food like this in the Boy Scouts.

Start with one of Five Points’ specialty cocktails. The cranberry-infused tequila cosmo, the cucumber “sake-tini” and the lemon-mint martini are the stars on my palate. There’s a nice selection of wines by the glass, along with a well-priced winelist with about a hundred choices. In a unique twist, the wines are simply divided by country: France, Italy, USA, Other. Most of the selections are from small, “boutique” producers, many from off-beat locales.

After cocktails order a selection of appetizers for everyone to share.

My personal favorite is the wood-oven roasted shrimp with chickpea crepes, a charred tomato salad and aioli. Other good choices include the grilled Alsatian-style sausage with a truffled-warm potato and red onion salad, and the fire-roasted mussels in white wine and citrus broth that had us mopping up the broth with baskets of bread.

Speaking of bread, Five Points makes a flatbread with mixed herbs and spices that you could make a meal out of all by itself. Among the salad selections, the lobster, mache and fava bean with golden beets and aged sherry vinegar is tough to beat. I usually don’t order pasta from non-Italian chefs, but ravioli of spring peas and morels was too tempting, and too good, to pass up.

For the main courses, buttermilk marinated free range chicken with roasted garlic mashed potatoes is comfort food at its best. My favorite is the baby lamb chops with parmesan-black olive risotto cakes; but I certainly wouldn’t turn down the fire-charred squid stuffed with shrimp, halibut and market vegetables in a roasted tomato vinaigrette.

The menu changes seasonally, so no doubt there will be new things to try the next time we get there, and we will be there again. Five Points, 31 Great Jones St., 212-253-5700

AZ

First, the disclosure. I am intimately involved with the creation and operation of AZ, and even I am amazed with the results of a year-long effort on the part of a stellar team of chefs and managers in putting together this new venue. Restaurant and foodie folk are flocking to this roof-top dining room, on a side street on the border of Chelsea, like they’ve been in hibernation for the winter. So what’s up with this new “Asian-Inspired American Cuisine” restaurant?

AZ is not just another attempt to palatize cuisines of the east for the western tastebuds. The approach is, for the most part, very American, with Asian-inspiration in the form of scattered spices, interesting ingredients, and more especially, presentation style. As chef Patricia Yeo says, “I’m an American of Malaysian descent. Anything I make is Asian-Inspired American”.

AZ is big, but it feels intimate because the restaurant is spread over three floors. The ground floor is a dark, midnight blue and scarlet red lounge scribed by iron rails, ultrasuede ottomans and a copper and iron bar that snakes the length of the room. Specialty cocktails that include a smattering of Asian ingredients rule here. The signature Metro AZ blends a creme of wild blackberry, fresh lemon juice and a buddha-hand lemon infused vodka sells as fast as we can make the infusion. Other favorites include a ginger martini called the tinA louiZe (we keep tabs on how many folk get the reference), a twist on the classic dArk and Ztormy using rum that we’ve infused with Chinese five-spices, and our Hawaiian punch for adults, the AZlammer.

Ascend to the rooftop in the glass elevator adjacent to the three-story black slate waterfall and you start to get the feeling you’re somewhere a little different. A retractable glass roof arches over a dining room graced by mahogany tables, blue ultrasuede banquets and flickering oil lamps.

The menu is prix-fixe, with choices from a dozen each of appetizers, entrees and desserts. Favorites among the starters include the grilled gulf prawns with soybean wontons and tomato water; an open-faced cured foie gras and roasted apricot sandwich; and a ginger-lacquered quail with roasted pineapple. Among the main courses the steamed halibut with soy-ginger sauce and Chinese sausage; the grilled lemongrass lobster in coconut-ginger broth and the absolutely heart-stopping double cut pork chop with Armagnac & oolong tea marinated prunes are complete winners.

Frank Lloyd Wright once said that “It is better to be honestly arrogant than hypocritically humble.” My winelist rocks. I had a dream situation – an entire year to choose the 500 plus selection with no limitation on budget. I was also involved in the design of the wine cellar, a beautiful glass and redwood display taking up the front of our second floor (just outside our private party room). AZ, 21 W. 17th St., 212-691-8888

Fressen

It’s the meat-packing district in all its guises. The space used to be a veal processing warehouse, and now it shares the block with a variety of late night casual sex venues and watering holes. Is it a pioneer or a lost soul? Maybe a little of both.

First you have to find it. An unmarked steel door in the middle of a group of warehouses doesn’t give you the clue that you need. If it’s a little later at night there may be a doorman the size of the door waiting. Despite the fear this may strike in the hearts of club-hoppers, he’s friendly, and merely there to greet you and open the door. Inside, prepare for more contrasts.

You find yourself in a bar filled with the latest model wannabees mingling with people who wish they’d made a call for a reservation now hoping to score a table. You, of course, were smarter than that – you have a reservation. Seating isn’t necessarily prompt, so plan on a short wait, but you’ll have your table soon enough and the cocktails are well-mixed, alongside a great selection of wines by the glass from consulting sommelier Geri Banks.

The dining room, or rooms, as one large space is divided in two by a wall, is lined on all sides with slabs of concrete. The industrial look is softened by golden lighting and bits of wood, stained glass and fabric scattered hither, thither and yon. Your table is actually big enough not only to sit at, but to fit everything you might order on.

The menu constantly changes. Constantly. It is short and “market-driven”, i.e., the local greenmarket informs the dishes of the day. Six to eight appetizers and a like number of entrees are prepared. Tomorrow, anywhere from one to a half-dozen of those is likely to be different. This leads to Fressen’s one real flaw. Now and again, you may feel like you’re the guinea pig of the evening.

Nonetheless, virtually everything I’ve eaten at Fressen has fallen somewhere between good and truly outstanding. Even the misses were never complete misses, just a little askew. The service staff are excited about presenting this kaleidoscope of food and are eager to tell you about it. Same goes for the winelist, a small collection of nicely priced, off-beat and regularly changing selections.

You can guarantee yourself a winner by just accepting that someone at your table has to order the Amish chicken in whatever guise it currently exists. The rich flavor of the chicken itself almost leads me to rent a car and drive the couple of hours to Lancaster, PA just to secure one. One visit we had the most amazing scallops with roasted corn salsa. Another we had a roasted beet salad that had us ordering a second round.

Chef Lynn McNeely (can we just say “cute!” and get away with it?) is especially good with fish and shellfish. His light touch with sauces and seasonings lets the fresh, organic ingredients shine through. He is at his best when he goes simple – perhaps the most memorable dish we’ve had was a plate that consisted of a half-head of butter lettuce, some scattered heirloom tomatoes and a light, lemon and cheese vinaigrette that was there more in spirit than in presence. Fressen, 421 W. 13th Street, 212-645-7775


Q San Francisco magazine premiered in late 1995 as a ultra-slick, ultra-hip gay lifestyle magazine targeted primarily for the San Francisco community. It was launched by my friends Don Tuthill and Robert Adams, respectively the publisher and editor-in-chief, who had owned and run Genre magazine for several years prior. They asked me to come along as the food and wine geek, umm, editor, for this venture as well. In order to devote their time to Passport magazine, their newest venture, they ceased publication of QSF in early 2003.

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