Organization Newsletters

Letters from New York

Le Repertoire
Miami Chapter of the American Culinary Federation
June 1994
Page 6

Letters from New York

Pea shoots are no longer in. That’s the word from the frontlines here in the Big Apple. I have to admit, I never quite understood why pea shoots were in in the first place, but they were. Baby vegetables are still in. I’ve seen some absolutely stunning presentations of baby beets (come to think of it, I think I designed one of the plates…) using red, yellow, and pink and white striped beets – so sweet they melt like candy in your mouth. Morel mushrooms are making a comeback. After several years of shiitakes, enokis and portobellos, morels are now the mushroom of choice in trendy restaurants across Manhattan Island. Somehow or other we skipped the $125 a pound matsutake insanity.

Speaking of trendy restaurants, I’m not sure that they’re quite the trend anymore. While last year there was a big hullabaloo about the return to “comfort foods,” somehow or other that didn’t end up meaning menus overflowing with pot-pies, fried chicken, and macaroni and cheese. Sure a few daring chefs dared to try such outré items, but that wasn’t quite what the populous wanted. They wanted things that “reminded” them of comfort food. You know, maybe put a little cheese on something, or a sauce that was just slightly heartier than a celery infusion?

See, the problem is, we chefs and the media have gotten everyone so into these bright oils and vinegars and teeny dices of vegetables, that they all went out and learned how to do those things at home. Now, when they go out, they want something different. They want, dare we say it, classic cuisine. Maybe not thick, heavy butter and flour sauces, but definitely headed that direction. As Australian humorist and food writer Terry Durack recently put it, who said we have to be thin anyway?

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The View From Missive Control

Space Frontier News
Space Frontier Society
A Chapter of the National Space Society
June 1994
Vol. 5, No. 4
Page 2

The View From Missive Control
by Dan Perlman, Editor

We’ve entered upon interesting times this summer. The newspapers are full of news about the Clipper – not the Delta, but a silly little scrambling chip for telephonic communications. By the time most of you read this, you’ll already know that not only is it designed to allow government wiretapping, but it has a built-in design flaw that allows other folk to do the same. Yet, the funding is there for this Clipper – design flaws and all. Governmental priorities at work, I suppose.

ISDC 1994 has come and gone. The Space Frontier Society was well represented by Seth Potter, David Millman, Robert DeBiase, Allan Wasser and Ray Noonan. Our cover article this month is David’s report on the conference – and hopefully next month we’ll have a write-up from Seth on the Solar Power Satellite Working Group.

Greg Zsidisin reminds everyone that the deadline for registering for ISDC 1996 at the advance rate of $45 is coming up fast – June 15! If you’re planning to take advantage of this reduced price, get your check in to: Space Expos of America, Inc., P.O. Box 71, Maplewood, NJ 07040.

On other fronts, as reported by Greg in his monthly news coverage, our distant neighbor, Jupiter, is due to receive an uninvited party-crasher – the Shoemaker-Levy comet. The Clementine mission completed its moon mapping and now has gone off on what the Australians might call a walkabout. And the Hubble Space Telescope has gone and found itself a black hole and some rings around a supernova.

In June, NASA has a scheduled Pegasus launch into low earth orbit for further stratospheric ozone study, and in July, a planned launch of the shuttle Columbia will carry a payload that includes microgravity, acceleration, amateur radio, and crystal growth experiments.

Carolyn Josephs reports on the results of our first essay contest and the upcoming teachers’ conference. She has also graciously worked up a list of the participants in the contest, and is busy putting together a presernationa of some of the best work submitted for next month’s issue.

Finally, Linda DeLaurentis has written what she claims is her last President’s Message, as she steps down from her term in office. Linda is the one who signed me up, not only for SFS, but also to edit this newsletter – which was no easy task on her part. A big thank you for a job well done!

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Hyperspace

Space Frontier News
Space Frontier Society
A Chapter of the National Space Society
May 1994
Vol. 5, No. 3
Page 8

Hyperspace
by Dan Perlman, Editor

“listen, there’s a hell of a good universe next door; lets go.” – e.e. cummings

I was going to claim that I now completely understand the theories of general and special relativity, quantum mechanics and superstrings and am now ready to formulate The Theory of Everything. It isn’t, however, quite true. On the other hand, after reading and thoroughly enjoying Michio Kaku’s book Hyperspace, I can at least claim to have a better understanding than what my college physics professors left me with. (To be fair, nobody was really talking about superstrings then, so I can’t really blame them for that part.)

The book is subtitled “A Scientific Odyssey Through Parallel Universes, Time Warps, and the 10th Dimension.”With all the news stories about black holes, wormholes, and holes in the fabric of space-time, I thought it was about time to find out just what the (w)hole hype was about. Kaku, who is a professor of Theoretical Physics at the City College of City University of New York, manages to take this intriguing and complex set of subjects and somehow make it all seem quite reasonable, really.

The book is clearly written for lay folk. You don’t need to be a rocket scientist, figuratively or literally, in order to follow him through fields of wavering quarks. Kaku has a warped sense of humor that he brings not only to his descriptions and demonstrations, but also swings around point-blank on the history, egos, secretiveness and pomposity that surrounds much of the work of theoretical physics.

Using a medium that is, for all practical purposes, two-dimensional, a sheet of paper and ink, he unfolds first one and then another dimension of space-time and lays it out for our inspection. By the time I finished the first section, “Entering the Fifth Dimension,” I not only felt I had a clear grasp, for the first time in my life, on the theories of relativity, but I was also using terms like “blue-shift,” “hyperdougnut” and “scalar particle”in polite conversation.

The one negative I found in the book was in the second section, “Unification in Ten Dimensions,”where Kaku slipped a bit on the layperson approach. For some of the quantum brambles that he wanders through, he seems to assume that the reader has a basic working knowledge of leptons, mu-neutrinos and just exactly what SU(N) symmetry is. I found myself a bit bogged down in flipping back and forth to short explanations in the endnotes (an anathema to any reader – footnotes are so much easier to refer to), and having to reread passages. If one were psychologically inclined, one might assume that Kaku doesn’t really like a lot of quantum theory….

Luckily, he jumps back in with both feet, a smile and a “how-de-do” when he gets to superstrings, black holes and the possibility of other universes in “Wormholes: Gateway to Another Universe?” Whether he’s talking time travel, the existence of God, wrinkles in space, or wave functions of creation, he’s back on solid ground, and so is the reader – which, given the subject matter, is a pretty impressive feat.

In the final section of the book, “Masters of Hyperspace,” Kaku looks at what our future might be. He takes us through Type 0 through Type II civilizations, and pegs us squarely in mid-0 position. He also takes the opportunity to philosophize and climb onto a well-reasoned soapbox about where we’re going to get if we stay on our current heading.

It’s hard to say that the book ends on a positive note, especially given that basically, he leaves us drifting within the boundaries of the universe, with only minimal theoretical hope for some sort of existence as it either expands and cools to absolute zero or collapses as one big multi-billion year flash-in-the-pan. Kaku leaves us a faint glimmer at the end of the hyperspace tunnel, that maybe, perhaps, we might just find our escape into another dimension. Rod Serling would like this guy.

Hyperspace, by Michio Kaku, published by Oxford University Press, 1994, $25.00, ISBN# 0-19-508514-0.

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The View From Missive Control

Space Frontier News
Space Frontier Society
A Chapter of the National Space Society
May 1994
Vol. 5, No. 3
Page 2

The View From Missive Control
by Dan Perlman, Editor

Well, my first issue is behind me, or so I thought. Imagine my surprise at the controversy stirred up by our page 6 article by Jim Melloan. I cant say that I have a representative sampling of the membership’s response, but I did hear from four of you on your views. Linda DeLaurentis, our president, who givers her response in her President’s Message following, found the article intriguing, though felt that Jim could have delved a bit deeper into what SFS has already done in the business world. Two members who wish to remain anonymous congratulated Jim for proposing something they thing would make an interesting project for the organization – now whenever the two of you wish to stop remaining anonymous, perhaps you’d like to, dare I say it, volunteer, to work on the idea? The most extensive response came from Greg Zsidisin, who felt that Jim needs to do some far broader research into the area of private enterprise and space exploration, as well as SFS’s involvement in the area, in order to understand just what it would take to really do what he proposes. He further comments:

“NSS and SFS are grassroots advocacy groups, in which members from all walks of life promote their cause, just like PETA or Sierra Club or NRA members do. It’s a niche we’ve choen, and something we’ve done damn well with – the Blueprint for Space seminar and our nationally covered pro-space rallies are just a few of our more recent successes….

Melloan urges us to abandon America’s $30 billion public space effort for such blazing new space ventures as LunaCorp – which, for all its novelty, is hardly guaranteed the $120 million it needs to set a rover down on the moon for the entertainment industry….

I’m sorry, but a fully private space enterprise is still a ways off. One SFS member who attended a recent space financing conference said the audience’s eyes glazed over during the American Rocket Company’s pitch on hybrid rockets. Next to Delta Clippers and SSTOs, hybrid rocketry is tremendously conservative stuff. The funding Amroc needs to finish its modest research work is in the tens of millions of dollars – hundreds of times less investment than even the lowest Clipper estimates. Yet they’ve been at it for years now – and it’s reusable Clipperships, not expendable hybrids, that everyone now looks to for opening the frontier.

For all the current turmoil, the space technology that will get you and me into space on vacation is far more likely to come out of the government than private industry. That fact alone leaves a big role for grassroots activists and groups like SFS and NSS.”

Greg himself takes another look at LunaCorp and International Space Enterprises ventures in this issue of SFN, along with our cover piece on ISDC ’94, and his usual valued contributions of space news. Linda DeLaurentis discusses the upcoming board elections and Carolyn Josephs catches up on the doings of the Education Committee. Sam Liebowitz proposes an interesting project for a couple of, here we go again, volunteers. Personally, I felt compelled to pen a review of Michio Kaku’s new book, Hyperspace.

Again, your contributions and input are not only welcome, but requested. I’d like to see the author base of this newsletter expand rapidly, not only for the variation in talent, but also to make sure we include a wide range of interests for all members.

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The View From Missive Control

Space Frontier News
Space Frontier Society
A Chapter of the National Space Society
April 1994
Vol. 5, No. 2
Page 2

The View From Missive Control
by Dan Perlman, Editor

Hopefully, as you read this, spring will have finally arrived. With this issue we bid farewell to the editing talents of John Sirabella, who has moved on to other venues – like keeping his business on track. From what I’ve seen, John did a great job of putting this newsletter together, and I’m glad to have a firm foundation to build upon. I’d like to take a moment and introduce myself as your new editor. Somehow, a résumé doesn’t seem appropriate at this juncture, and everyone seemed so relieved that someone would take on the task of putting Space Frontier News together, that nobody asked for one. Regardless, so that you will at least be under the illusion that its regular production is in good hands, I hasten to assure you that I have a modicum of experience and knowledge in the arena.

My involvement with the “space community” began many moons ago in the midwestern burg of Ann Arbor, Michigan, where I conveniently grew up mere blocks from ERIM, Bendix (the kids in my neighborhood saw the lunar rover on test track long before anyone saw it on the moon…) and the University of Michigan’s Aerospace Engineering Building. I flew model rockets with my friends, wrote to astronauts, heck, I’ve still got a pennant on my wall from the day White & McDivitt dropped into town to visit their old campus. I helped found RP Industries, a little company that provided computers for use in those little teeny Shuttle payload spaces that universities leased for experiments (the company continues to flourish to date, though I’m no longer involved).

I headed off to do things in the world of writing and editing, with numerous sidetracks along the way. Over time I’ve managed to be everything from reporter to editor at a high school paper, an underground paper, and society newsletters; I’ve freelanced newspaper and magazine assignments (mostly in the food & wine category, a passion of mine – did I mention being a trained chef and sommelier?); and even tried my hand at technical writing. Somewhere along the line I managed to have one short, reasonably humorous ghost story published.

When Linda mentioned that she was looking for a new editor for SFN, I thought, why not? So, here I am, here you are, and I’m looking forward to working with all of you. It may sound cliché, but I know that there’s some hidden and/or budding talent out there just dying to see the light of day. Together I think we can make this one of the best regional newsletters in the National Space Society!

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Who’s Out Where?

The Stand-Up Comedy Experience Newsletter
Summer 1993

Who’s Out Where?

Prior to his great showing at the Industry Night, Sam Brown had been emceeing shows at Stand-Up New York and raking in the laughs in New Jersey at The Comedy Vault, Comedy Cafe, Comedy Shop, Catch a Rising Star and Red Robin. He also booked a group of fellow comedians to perform in showcases at Del’s.

Among his star performers was Dan Kornfeld, who recently won an amateur comedy contest at Shooting Star’s in Yonkers and the title of “New York’s Funniest College Comedian” at Banana’s in Poughkeepsie.

Also working with Sam was Judith Currin, who has been performing at Off-Center and starred in a feature Telecom Japan produced on The Stand-Up Comedy Experience.

Alladin Ullah is appearing as a regular at Catch a Rising Star in New York and touring on the college circuit.

Frank Girese, another of our rising stars, is now a regular hit at Tatou’s.

Appearing as house comic at The Uptown Comedy Club is our own Daryl Bowser. Daryl has been playing the corporate circuit at fundraisers, parties and The Corporate Comedy Laugh-Off and hots an open-mike show at Vinnie O’s in New Jersey.

Also with his own open-mike show is Brad Trachtman, who hosts auditions on Sundays and a showcase on Mondays at a new comedy venue, Tommy’s Red Caddy.

In the booking department, Rick Dorfman is working for Barry Katz as a booking agent for New York Entertainment and manager of Boston Comedy Club. One of the comics they represent is workshop veteran Casey Fraser.

L.A. member Victoria Edwards had a guest shot on The Tom Arnold Show. She has recently been showcased at The Improv in Santa Monica and Igby’s in L.A.

With a new baby Max at hand, Liz Margoshes is in the midst of writing a one-woman music and comedy show, “Where The Boys Are.” Liz also won a slot in one of the first “Stars of Tomorrow” showcases at The Duplex and has appeared at Stand-Up New York.

Producer Collette Black put on a show in January at 55 Grove Street featuring several of our comics – Park Borchert, Jim Gaffigan and Annie Sopher. Jim quipped, “I’m on the road and enjoyin’ it.”

Kristine Zbornik, who has for years delighted patrons of Don’t Tell Mama and 55 Grove Street with her musical comedy, recently completed a run with fellow comic George Sanders in “Dakota George”. Kristine was booked as one of the first comics to work The Russian Tea Room’s new comedy nights, and recently won a MAC Award for her cabaret performances.

Joe Monagas has worked the outer boroughs, to raves at Bay Ridge’s Crazy Country Club and Staten Island’s Pip’s.

And further out, Steve Tennenbaum plays to crowds around New Jersey, Casy O’Toole’s being his favored spot to hang. He’s also been seen at pre-shows at several New York City comedy clubs.

Wendy Stuart appeared on The Jerry Springer Show on NBC, several commercials and earned her stripes in the smokey rooms at The Comic Strip, Coldwater’s and The West Bank Cafe.

Mary Dimino is a regular at the New York Comedy Shop, Rascals, Giggles & Bits and The Uptown Comedy Club (Lancaster). She had her own show at 55 Grove last summer, and recently won the “Stars of Tomorrow” competition at The Duplex. Mary has appeared on America’s Funniest People and is the head writer for the Bob Gonzo Show, on local cable.

Rob Pitaccio, our former office manager, won the recent Red Robin Comedy Club’s “Laugh-Off Contest”. New office manager Danielle Broussard emceed a show at The Comic Strip that starred such noted performers as Phil Nee, Alladin, and Shades of Comedy. She’s also been a hit at Ye Olde Triple Inn and Flamingo’s, and is booked for a run at The New York Comedy Club in September.

Working the northern lights, David Cleary performs regularly at Treehouse in Westport, Connecticut.

Fred Fortunato keeps finding himself on stage at Joker’s in New Haven, The New York Comedy Club in Holyoke, Massachusetts and The Brass Rail in Providence.

Down south and west, Peter Fox has appeared at Havana in New Hope, PA and Jester’s at Trump Castle in Atlantic City. He recently auditioned for a slot on The Tonight Show with Jay Leno. Peter is forming a film production company in Atlantic City to produce art films.

Also on stage at Havana is John McMenamin. John performed and emceed at The Corner Inn in Trenton, NJ, played a recent trade show for the Society of Association Executives and appeared before a convention for Marriott Corporation in Florida.

In one of the more unusual acts we’ve heard of, Ken Savoy recently performed for a Boy Scout jamboree… by telephone.

Mike Capalbo is sticking around the Hackensack, New Jersey area, working on developing a comedy writing career. There was a “Just Married”sign on the back of his car late last year. Founding member Eli Krupnik, who is developing a comedy training kit, also recently tied the knot. On the same front, the workshop has produced its first reported coupling, with Rachel Robbins and Doug Willen announcing their engagement.

On other fronts, Jaz Dorcey coaches singers and has tucked some comedy patter into the routines of many of his students. Jaz wrote a play which is currently being produced for television, “Eat Crow.”

Tony Alicata is directing at the Nat Horne Theatre. His most recent shows are “Poet’s Corner” and “Stalling.”

Dan Burke can be seen doing improv with the group Soho Loco. Craig Bitet, in a parallel life, is showing his improv talents with Comedia Improviso.

Argentinian TV comic Enrique Dura, who joined us to brush up on his English stand-up presentation, has turned his attention towards a professional cartooning career.

Last summer, Manhattan Cable TV ran the variety show “Mondo Television” which starred Michael Gold. Michael, who works as a TV production assistant, at last report, was writing a script for the hit sitcom Seinfeld.

Marybeth Mooney has been working her way ’round New York’s open mike circuit, and with friends and co-members Judy Sheehan, Bambi DeVille and Annie Sopher, formed a stand-up and sketch comedy quartet. We’re Naked Under These Clothes, which had a successful run for many months. She also recently filmed a sitcom pilot, Violet Fields and was cast on an HBO promotional spot.

Judy was a regular at Coldwater’s and The Duplex but is concentrating on writing. She has two plays in production, a one-act, “Baby It’s Cold Outside,” being done for summer stock in Ann Arbor, Michigan and a full length called “Bright Girls, Stupid Lives” in New Jersey.

Annie has been a regular on the open mike circuit and last winter won the “Stars of Tomorrow” contest at The Duplex.

The pre-show and late night circuit has always been popular with up and coming comics. Trocader’s, Stand-Up NY, The Comic Strip, The New York Comedy Club, The Improv, The Village Gate, Glady’s, Pip’s, 55 Grove Street and Don’t Tell Mama have all opened their doors to new talents from the workshop. Regulars include Angel Hernandez, Rick Diaz, Gabriel Falcon, Guy Ellis, Sam Goodyear, Glynn Borders, Karen Hamilton and Jonas Best.

Rick was recently booked for a series of twelve community fundraisers for the New York City Housing Authority and is exploring the college comedy loop.

Guy has competed at The Apollo and more recently been exploring some acting, appearing in the stage drama, “Decisions.”

Sam continues to concentrate his talents as the general manager, producer and performer at The Leather Stocking Theater Company in Cooperstown. He recently headed off to teach music in Australia and work with author Bryce Courtenay (The Power of One) on a musical adaptation of the book.

Glynn is focusing on a directing and writing career, with recent shows “The Dark Star from Harlem” at the Josephine Baker, “From Ragamuffin to Riches” at La Mama Etc and the sketch comedy group, Out of Control with hit “Midsummer’s Night Scream.” He’s also writing for comic Terry Hodges.

Karen, our operatic star, continues her work with The Amato Opera Company.

Also singing is Gayle Humphrey who recently showed up behind the mike at the jazz festival in Vail, Colorado. Gayle has also appeared in several recent industrial films.

Fun news from a favorite team, Paul Weinstein and his puppets. Paul and his sponge-filled family have been out entertaining the nursing home set. Entertainment therapy is the new rage, and Paul is leading the pack. He and the puppets even cut a pilot for a TV sitcom.

Dan Perlman continues to perform and write comedy freelance.

And our own head coach, Steve Rosenfield was recently the subject of an article that appeared in The London Times and a feature documentary on BBC. On top of that, WABC-TV, Channel 7’s Joel Segal, produced a week-long special called “Comedy New York Style” that first aired in March. The episode looked at the future of comedy and was devoted to Steve’s training programs and focused on his teaching, and followed Esta Berman and Aprele Elliot though the creation of their sets, from workshop sessions to performance night. The show also picked Casey Fraser as a comedy star of the future.


In the late 80s/early 90s I got involved with The Stand-Up Comedy Experience (now, American Comedy Institute) and had fun performing stand-up in clubs, and honing my comedy writing skills… the latter, at least, seems to have stuck with me.

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Stand-Up Comedy Experience

In the late 1980s/early 1990s, I participated in a workshop comedy group called The Stand-Up Comedy Experience, under the direction of the inestimable Steve Rosenfield. That workshop has grown and morphed and is now the American Comedy Institute. It was a hobby, that I briefly toyed with turning into something more, but, my creative talents lend themselves more to comedy writing, and to cooking, than to performing. Still, I had a hell of a lot of fun.

Material: Growing Up in a Family; Dissension; Life Observations; Family Vacations

Location: Don’t Tell Mama, New York City

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Stand-Up Comedy Experience

In the late 1980s/early 1990s, I participated in a workshop comedy group called The Stand-Up Comedy Experience, under the direction of the inestimable Steve Rosenfield. That workshop has grown and morphed and is now the American Comedy Institute. It was a hobby, that I briefly toyed with turning into something more, but, my creative talents lend themselves more to comedy writing, and to cooking, than to performing. Still, I had a hell of a lot of fun.

If I had to pick a favorite performance of mine, this would probably be it. There was just a very different, electric energy at being at a big name comedy club, with a seasoned, professional emcee running the show, versus the smaller venues we usually performed at.

Material: Family Vacations; Being Gay; Sex Education; Condoms; Sex Lives of Superheroes; Pets; The Wizard of Oz

Location: Caroline’s Comedy Club, New York City

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