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Porteño Food Heritage: Fact or Fiction? An Investigation…

What’s Up Buenos Aires
NEWS
December 19, 2006

Porteño Food Heritage: Fact or Fiction? An Investigation…

porteno food heritage
I’m coming late to the party by posting on this topic, but it’s been simmering in the back of my mind for a week or two. In amazingly typical fashion, the local Heritage Commission has declared a new range of food items that are considered “emblematic” of porteño culture. Those of us who live here in our adopted country have become used to outlandish claims in casual and animated conversation by many a local that one plate or another is Argentine in origin. Often, these dishes are ones that anyone who travels the globe or explores the world of food knows existed elsewhere in the world long before Argentina had anything but a native, indigenous cuisine. This time, however, it’s not random conversation with a new friend over drinks, but the government itself stepping in to stake the porteño claims.

The one that seems to have generated the most controversy is the milanesa a la napolitana, that ubiquitous local version of a weiner schnitzel topped with ham, cheese, and a bit of tomato sauce – most of the controversy coming from the juxtaposition of “milanesa” (from Milan) and “napolitana” (from Naples). The milanesa part is easy, pounded thin, breaded and fried slices of beef or veal are called cotoletta alla milanesa in Italy, or, a Milan style cutlet, since before the first Italian set foot on South American soil. While the name “a la Napolitana” is both claimed locally to come from the idea of Neapolitan pizza or from a restaurant called El Napolitano that existed in the 1940s here over by Luna Park; at best, this is simply a renaming of the classic Neapolitan saltimbocca alla Sorrentina – pounded thin, floured or breaded, fried slices of veal topped with Parma ham, mozzarella, and a fresh tomato sauce. The dish has been around since long before anyone from Sorrento headed to Argentina. One can even look at things like schnitzel “cordon bleu”, a dish dating back to some unknown time in the history of L’Ordre des Chevaliers du Saint Esprit, the organization of knights famed for their luxurious banquets since 1578… this dish a breaded cutlet topped with a thin slice of ham and melted cheese – only missing that bit of tomato sauce.

Better to have claimed the matambre a la pizza – while matambre may merely be an adaptation of cima a la genovese from Liguria, the idea of topping it with those same pizza ingredients has got to be uniquely porteño… though, I haven’t researched that one thoroughly.

I might also have to give them pizza a la faina – while both pizza and faina exist in other places and cultures, since before Buenos Aires was founded, the use of the faina, or chickpea bread slice, as a top crust while eating a pizza does seem to be uniquely porteño.

Beyond that, the Commission has added in such things as vermú, or vermouth – not, thankfully, claiming that it was invented by Argentines, but claiming the tradition of drinking it as integral to local custom. I’m not sure how that differs from their Italian forefathers and mothers, but it’s now official.

Of course, this all follows on 2003’s claims by the same Commission to empanadas, asado, y dulce de leche – hmmm… empanadas, beyond existing in one form or another in every culture that produces pastry, are a pretty clear Spanish import, even if they’ve evolved to an art form here; the asado, a big part Spanish influence on the gaucho culture here – but is it anymore elaborate or a part of the culture than, say, the norteamericano weekend barbecue, or the still extent Spanish version of the same? The last, a claim that’s been up for grabs and dispute for a long period of time. Though I couldn’t prove it one way or the other, I’d be hard pressed to accede to a claim that dulce de leche was invented either here or in Uruguay – the idea that no one was caramelizing milk and sugar back in Europe before local colonization is, to my mind, unlikely, though I’d be willing to be proved wrong on that.

Other dishes that are apparently up for consideration include sorrentinos – round, plump, large ravioli. True, elsewhere in the world no one calls them sorrentinos, but there’s nothing unique about them other than the name – which apparently also comes from a local restaurant called Sorrento that was located on Av. Corrientes here – though this is also up for dispute, I’ve seen more than one claim that the name comes from a restaurant called Sorrento that was located in Mar del Plata – still here in the province of Buenos Aires.

I’ve seen one proposed idea for a bife a caballo – a steak topped with a fried egg. I’ve even seen discussions in different forums about the whole a caballo “phenomenon”, claiming that it’s extraordinarily common here. Okay, I’ve seen it offered on steaks, I’ve seen it on lomo sandwiches and hamburgers. But it’s not exactly ubiquitous, and it’s certainly not uniquely Argentine. I can get a fried egg atop a piece of beef at any diner in the U.S., and probably throughout most of Europe. Even the a caballo, or “on horseback”, has been called a cheval, with the same meaning, in France for centuries.

On the dessert front – the vigilante – a deceivingly simple plate of queso blanco served accompanied by a thick slice of dulce de batata or dulce de membrillo – sweet potato or quince jelly is a common dessert here. While certainly more common than in many other places, I’m not sure I’d call it unique – I’ve had the same in Mexico, I’ve had the same in France. The name, once again, is as far as I know, unique to Argentina. The tarantela – more or less a classic charlotte with a caramelized coating and an apple and custard filling. The torta rogel or milhojas – interleaved pastry with dulce de leche and/or chocolate. The budín de pan – basically a sweet loaf of bread, or even a steamed bread pudding.

All this is not to take away from Argentine or porteño culture and cuisine. As has been said in many a cooking forum, and by many a chef throughout the world, “there’s nothing really new in the cooking world, it’s all been done by someone, somewhere, before.” What is unique to the culture here is the blending of these various imports, along with what remains of the indigenous cuisine, and imports from other parts of both the country (locro, carbonada…) and Latin America. Rather than picking out individual dishes and claiming them as unique, or even integral to only this culture, especially when such claims are easily disproved, what Argentines could easily celebrate is the amazingly rich melting pot of these varied dishes. There is probably nowhere else on the planet where this particular melding of ideas, techniques, and recipes, both classic and modern, come together in such a seamless blend. That’s something to be truly proud of.

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Maat, Cabernet, Sparkling Wines

Cuisine & Vins
December 2006, page 46

cuisine insider tips
Argentina for beginners

It’s bad enough that being on vacation is license to forget about your diet, exercise, budget, and more simply, any sort of self-restraint. Top that off with heading out at holiday time, a period that’s sure to call for occasions of over-eating and too much drink, and you know you’re in trouble. Since you already know it, just relax and accept it – take our recommendations for celebrating the festivities, Buenos Aires style.

Gascon Rose BrutThere’s no question that holiday dining and partying calls for a bottle or two of bubbly. Forget all those theories about “true Champagne” being the one and only choice. Anyone who drinks enough sparkling wine knows there are some amazing ones out there from other parts of the world – and different areas have their own distinct styles. Miguel Escorihuela Gascón Rosé Extra Brut “Pequeñas Producciones” 2004 may simply be the finest rosé sparkler produced in the southern hemisphere. It’s a one hundred percent Pinot Noir, methode champenoise espumante from the Luján de Cuyo subsection of Mendoza. Absolutely bone dry, that is light, delicate, and elegant. The structure is backed up by delicious mixed berry fruit that lingers on the palate. The wine has a simply stunning pale pink color. For celebrating, this one is a solid winner – and sure, it may set you back a whole 90 pesos or so in a store, but remember, you’ve ditched your budget while you’re here.


bohemeRos´ champagne, or “pink champagne” may have a bad rep in some circles. There are folks out there who consider themselves to sophisticated to even give it a try. If you just know you’re stuck with a couple of those at your holiday gathering, or if you’re willing to admit that that describes you to a “t”, you’ll have trouble doing better than Luigi Bosca’s “Bohème” Brut Nature. A classic blend of the three “Champagne” grapes – Chardonnay, Pinot Noir, and Pinot Meunier – this vibrant wine is packed full of complex flavors that require a deep breath just to recite. With incredible structure and great acidity, the profile combines wonderful aromas of lime blossoms and wildflowers with rhubarb and strawberry pie, touches of citrus and tropical fruits. The absolutely dry character of the wine gives it an austerity worthy of comparison to some of the world’s best sparkling wines. This wine will set you back 150 pesos at retail price, and it’s worth every centavo.

Visitors to Buenos Aires are often surprised, and perhaps even a bit disappointed, to find that there aren’t a lot of big public celebrations for Christmas. Many Latin American countries have major events going on in the center of the main town square (we don’t really have one here), and there are festivities all over the place to join in on. Some of that definitely goes on in other cities in the country, and especially smaller towns. But here, Christmas tends to be a very family oriented event, and the streets can seem eerily quiet as everyone disappears inside to spend time with family and friends. It’s also, of course, not a place for a “white Christmas”, falling at the end of spring, beginning of summer, and it can often be hot and humid. Because of the family focus, a large number of restaurants are simply closed, and dining out becomes an exercise in search capabilities – hotels become your best friends.


On the flip side, New Year’s Eve is, as in many a big city, party time. You won’t find the drunken street brawls of, say New York City, but every major hotel, and most of the major restaurants will offer up some sort of prix fixe menu with champagne, dining, and maybe even a little dancing. We’re, of course, all about food and wine, and pulling out all the stops, so a couple of recommendations for some of the finest food and best wine lists in the city are in order.


Cabernet restaurant
In the heart of Palermo SoHo is the trendy, and truly excellent Cabernet, Jorge L. Borges 1757, 4831-3071, where you can dine in the elegant and simple dining room, or better yet a festive night under the stars in their beautiful garden. With one of the best wine lists in the city, and one of the few lists of breadth that doesn’t ratchet the prices up to silly heights, you can afford to have them pop more than just a celebratory bottle of champan and delve into their excellent selection of wines from all over the country. The food is cocina de autor, which more or less means “chef’s whim” – in this case more or less Mediterranean in style with touches of Asian fusion thrown into the mix. Portions are big, the food is delicious, and it won’t completely strain your wallet.


Maat
In a totally different vein is the semi-private club, Maat, Sucre 2168, in Belgrano, 4896-1818. I say semi-private, because although Maat bills itself as a “private gourmet club”, they are open for dining and wining to the public, with a slight limitation – that is, that non-members are only allowed to make three reservations a year (of course, you can take turns reserving with your friends should you care to dine there more often). Extraordinarily creative French based cuisine is served up in an elegant palacio – a gorgeous old two story stone building that’s been restored and fancied up into something worthy of a dining club. The wine list is easily in the top five in the city, and service is formal, with a tuxedoed sommelier and all – but no attitude.


In October 2006, I started writing for this Spanish language magazine, covering their English language section for travellers. I wrote for them for about two years. The copy editor, apparently not fluent in English, used to put each paragraph in its own text box on a two column page, in what often seemed to be random order, making the thread of the column difficult to follow. I’ve restored the paragraphs to their original order.

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New Edition…

“Things will get better despite our efforts to improve them.”

– Will Rogers, Entertainer/Humorist

Buenos Aires – The new edition of Viñas, Bodegas & Vinos was released this week. Long time readers will possibly remember my review of last year’s edition and the launch event. Things changed quite a bit this year. First, and of course from my point of view, the most important was that I got to be one of the catadores, or tasters, who reviewed the wines for the 2007 edition. Second, due to a combination of various logistical and financial issues, the book was changed radically. To begin with, it was, midstream, cut to an Argentina only edition, rather than a survey of the wines of all of South America – not necessarily a bad thing, even if a narrower focus. The book was also released in Spanish only – the previous editions were side-by-side columns in Spanish and English. I was looking forward to participating in the English side of the book – while past translations were “correct”, one of the things the editor had wanted to do was give the English a bit more “flow”, something he (and I) had hoped I could bring to the prose. Obviously, this means the book is much smaller (and less expensive, by about half) than previous editions, and, of course, the book has lost a huge potential market from folks with an interest in South American wine who want something more comprehensive, and in English. For those who do read Spanish, it provides a nice update on the new vintage, as well as some bodegas that were not included in the previous edition – but I’d use it as an adjunct to the 2006 edition, which has far more information. The other thing, is that the selection of “best wines” from this year were scooped up and also appear in a second book – an agenda, or datebook – with each of the wines gracing, along with quotes from individual panel members (including myself), one week of the year. It’s a cute idea – a nice gift for the Spanish speaking wine aficionado, and it’s well designed and laid out.

Vinas, Bodegas & Vinos 2007 Vinas, Bodegas & Vinos 2007 agenda

The launch event was much smaller, and was held at the Escuela Argentina de Sommeliers. This year the tasting was limited to just the wines that were selected as the top wines of the year. I tasted through most of them, this time knowing what they were (the tastings were all blind tastings, and in addition, we did not find out what we’d tasted at the end of the day). I’d single out a few that I thought really stood out at the launch party:

  • Trapiche Origen Torrontés 2005
  • Chakana Cabernet Sauvignon Reserva 2004
  • Carinae Prestige 2004 – Malbec, Cabernet, Syrah blend
  • Finca El Zorzal Patrón Santiago Gran Reserva 2002 – Malbec, Cabernet blend
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Sarkis, El Manto, Cheff Iusef, Barbera, Barrio Chino

Cuisine & Vins
November 2006, page 36

cuisine insider tips
Argentina for beginners

Orient Express-themed recommendations that you’ve probably never heard before in Buenos Aires. CUISINE&VINS best values.

The part of Palermo Viejo centered along the stretch of Avenida Córdoba between Avenida Scalabrini Ortiz and Avenida Justo is the center of the Árabe population of Buenos Aires. In this case, “arab” refers primarily to Armenians, a Middle Eastern influenced country that was formerly part of the Soviet Union. There’s also a Syrian, Lebanese, and Moroccan population that make up an important, but smaller portion of the populace.


Sarkis
El Manto
There are numerous Middle Eastern style restaurants located in Palermo Viejo, ranging from cheap takeout counters to elegant white tablecloth dining rooms. For truly authentic Armenian cuisine there are two that vie for top honors. The long time reigning champion of the zone is Sarkis, Thames 1101, 4772-4911. Despite the white linens on the tables, Sarkis is a casual spot for lunch or dinner, offering up tasty renditions of everything from the best hummus and tabouleh in town to excellent lamb or beef kofta. The wine list isn’t overly exciting – mostly the big name usual suspects, but for the most part, beer goes better with this food anyway. Spectacularly good bakhlava and excellent café arabe are a great way to finish up the meal. It’s also a complete bargain. Sarkis’ only real competition for outstanding Armenian food is the nearby El Manto, Costa Rica 5801, 4774-2409, where a shorter menu of traditional dishes served up with a touch of mysticism is offered. Their claim is that their recipes date back generation by generation to the year 301 A.D. when their family village was established. The atmosphere is a bit surreal, with nearly silent waiters moving through the dark, burgundy and black room, while fantasy music plays in the background. Very good renditions of classic dishes are offered, along with a decent selection of wines. Coffee the viscosity of sand is served, and a fortune teller is on hand to read you’re the grounds after you’ve sucked whatever moisture you can from the brew. A bit pricier than Sarkis, but it has the advantage of an elegant and soothing atmosphere.


Cheff Iusef
From another whole part of the Middle East is the food at Cheff Iusef, Malabia 1378, 4773-0450. The original owner is from Lebanon, where, if I understood the conversation correctly, his grandfather was the Gran Rabino of the Jewish community in Beirut. The staff and the food are a mix of Lebanese and Syrian. Definitely different in style from the more common Armenian restaurants in the area, with more varied spices and herbs used. The room was at one time very elegant, but now is starting to show a bit of tatter. The extensive menu offers a wide selection of dishes, and the wine list is well stocked with more offbeat selections. While there are some really good versions of standards like falafel (unusually flavored with cinnamon) or tabouleh (more of an herb salad than the usual grain-based version), where Cheff Iusef shines is its house specialties, especially the enormous football shaped kebbe de levanie, or Lebanese kebbe, a cooked wheat berry and lamb oblong in a yogurt, cucumber, and mint sauce; and possibly the best pistachio bakhlava I’ve ever had.


adroverThe flavors of Middle Eastern food call out for a somewhat lighter red with lots of fruit, spice, and acidity. While not new to the Argentine wine scene, the country isn’t well known for its Barberas. A classic grape from the Piemonte and surrounding areas in Italy, the grape was brought over nearly a century ago by Italian immigrants. While for most of its time here its been used as a blending grape, in the last decade or so more and more producers have recognized the same potential that their ancestors in the old country saw. One of the best, and a bargain to boot, is Familia Adrover Barbera 2001 – also one of the few still on the market with a little age on it. This is a small family winery that literally makes three different wines between two large lined concrete tanks – one for Barbera and one for Cabernet (their third wine is a blend of the two). The wine is lively, bright, full of ripe berry fruit flavors, with a touch of leather and lots of spice – notably clove and mace. It will run you somewhere around 20-25 pesos in local shops.


Gascon BarberaOne of the most well known bodegas in Argentina is Gascon. Their wines are marketed in several ranges, from cheap table wine, to their family varietals, to their newest venture, the handpicked and crafted Pequeños Producciones. The 2002 Miguel Escorihuela Gascon Barbera from this line is simply spectacular, a bold, spicy Barbera, with lots of red fruit, a dollop of vanilla from the oak, excellent balance, and a long, lingering finish. This wine will set you back around 75 pesos in a shop, probably well over 100 in a restaurant, but it’s worth every penny.


Neither Middle Eastern nor Asian markets are commonplace in Buenos Aires. But one thing that not only visitors, but often longtime residents, are surprised to find out is that the capital boasts some small, but true “ethnic” neighborhoods. The area surrounding Avenidas Córdoba and Scalabrini Ortiz is home to a large portion of the Middle Eastern population here. Not just restaurants, but shops abound, with some of the best centered right near that intersection. Probably the best known in the area are Medio Oriente, Avenida J.A. Cabrera 4702, at Malabia and Damascus, Avenida Scalabrini Ortiz 1283. The latter is one of the few places in Buenos Aires where you can buy unsweetened yogurt – they offer both a light version and the heavier labneh style.


Barrio Chino, in Belgrano, as it’s called, is primarily a residential zone, with a several block commercial stretch along Arribeños just north of Avenida Juramento and the Belgrano “C” train station. The area is home to numerous decent Chinese restaurants (primarily Taiwanese cuisine) as well as food markets. Further off the beaten track is Coreatown, in the south part of Barrio Flores. Here, a half dozen block commercial stretch along Avenida Carabobo, between Avenidas Castañeres and Eva Perón is home to multiple Korean food markets and restaurants serving up good quality traditional fare.


In October 2006, I started writing for this Spanish language magazine, covering their English language section for travellers. I wrote for them for about two years. The copy editor, apparently not fluent in English, used to put each paragraph in its own text box on a two column page, in what often seemed to be random order, making the thread of the column difficult to follow. I’ve restored the paragraphs to their original order.

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Uruguay is Still Ready!

Wine Business Online
Daily News Links
October 25, 2006

Uruguay is Still Ready!

Back in July 2001, Wine Business Monthly reported on the budding wine export scene in Uruguay. A new consortium of wine exporters, newly created powers for the quasi-government agency INAVI, and general interest in what was happening in South America all gave Uruguay a shot at being the new niche player on the block.

Then the economic collapse of 2001 hit the southern part of the continent and virtually everything got shoved to the back burner while wineries scrambled just to survive. Smartly, the consortium and INAVI quickly began a marketing push that expanded beyond their former largest markets of Argentina and Brasil – focusing on Europe and the United States. At the same time, outside investors continued to put their faith and capital into the technological development of Uruguayan wineries.

Uruguay can now boast some of the most technologically advanced wineries in South America, with computer controlled fermentation systems. Still, they’re limited in volume of production by the mere size of the country – smaller than the state of Washington – and a domestic demand for inexpensive table wine.

Los Cerros de San Juan

Señor Abbona, the “maestro de las cavas”, or cellar-master checks the Tannat grapes at Cerros de San Juan

When boutique producer Carlos Pizzorno tried to switch his entire production to fine wine production he received threats of boycotts from the surrounding communities if he did not maintain a certain minimal level of jug wine production (stopping by the local winery on the weekend to refill your own jug is part of the local culture), and he chose to keep his fine wine production to no more than 50 percent of his output. Being small has its advantages – most producers, along with the availability of all the technology that’s been put in place, are still able to hand harvest and hand process their grapes.

The quality of the fine wines has steadily improved with time. Good as they were five years ago, of the thirty some producers who are producing export quality wines, there are now half a dozen who are producing wines that could arguably be called “world class.”

Tannat is the dominating factor in that equation – Uruguay will probably never be able to compete against the vast numbers of Cabernets, Merlots, and Chardonnays that are on the market, but Tannat gives them a weapon that borders on unique. The style of Uruguayan Tannat is different from that of the small production of wine in Madiran in France – focused on fruit, spice, and food friendliness rather than structure and long term aging. That very fact led the Madiran producers’ consortium to cancel a “taste-off” last year – the drinkability of Uruguayan Tannat at a much younger age gave rise to concerns about a repeat of the infamous 1976 France versus California battle.

The biggest problem Uruguay faces in the international market remains the same as it was five years ago. No one knows where Uruguay is, let alone anything about it. The wines remain a hand-sell for any importer or distributor willing to take on a line – in general a large distributor won’t take them on for fear of them being lost amongst their other offerings, and a small distributor knows there’s a huge amount of work in relation to the investment of capital. Given that, one of the more exciting developments has been the partnership between Boisset America and the Pisano winery, producing a separately raised, fermented, and bottled line under the Viña Progreso label, backed by the marketing arm of Boisset. At the same time, producers like Juanicó have further developed their partnership with the Bernard Magrez , multimillionaire owner of nearly three dozen wineries in Bordeaux, Priorat, and Napa Valley, including the top flight Château Pape-Clement, and are now in the process of building a separate winery specifically for the production of their garagiste style Tannat, “1er Cru Garage”. Pizzorno is in the process of building a state-of-the-art underground, gravity fed winery. Up-and-comer Bouza has invested in one of the most technologically advanced wineries I’ve seen – giving a feel of being on the set of Star Trek, yet maintaining a complete family involvement, and hands-on winemaking approach. New tasting rooms are being added to virtually every winery that produces quality wine, specifically to entice locals and tourists to sample their new wares.

The Pisano Family

The Pisano Family

It is hard to judge whether there is a stigma attached to wines coming from an unknown region or not. The Association of Exporters of Wines has held Tannat tastings in the United States for the last two years with limited results. Getting top sommeliers and retail buyers to attend a tasting devoted to something obscure is always a challenge, yet those are the very people who will create the demand for something new. Invitations to multiple wine writers for an all expenses paid tour of a dozen Uruguayan wineries this year resulted in interest from only two, and due to time constraints, only one, myself, was able to take advantage of the offer.

Boutique winery Viñedos de los Vientos, the sole producer in the southeastern area near Atlantida, experimented with submitting two bottles of one of their wines to a well known consumer wine magazine – one directly from the winery with its normal label, the other with essentially a mystery label, but presented to the reviewer by an importer as “something he must try.” The two bottles were tasted in the same flight and resulted in completely different descriptions as to profile and quality, and markedly different scores – the Uruguayan labeled one coming in well behind the other.

Still, INAVI, the consortium, and the individual producers have lost neither hope nor enthusiasm. They know they’ve got a product worthy of attention, and they’re not only putting their money where their mouths are, but investing their lives into getting Uruguay onto the maps of the wine cognoscenti. A more ambitious schedule of tastings in the United States is already underway for 2006-2007; nearly non-existent advertising budgets are being expanded to entice consumer and professional magazines to pay more attention; and the quality of wines just keeps getting better and better. With all that in play, Uruguay truly is “ready” to play their part in the global game of wine.

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Jamie Taylor

Passport Magazine
Issue 42 – October 2006
businessprofile – Jamie Taylor
Serendipity and hard work help when starting a business in a foreign country
Jamie TalorPacking up and moving to another city to start a new job is daunting enough for most folk. Some people go a little further. Jamie Taylor packed up and moved to a different hemisphere, 7,000 miles away. He left behind family, friends, and steady work for the gleam of an idea he’d put together with his new long distance boyfriend, someone whom he’d met on vacation a year earlier, and only kept in contact with via internet and phone since. He left behind a happy existence in a stable part of the world for complete unknowns in a country that was known for military coups, economic and political instability, and repeated military conflicts with his home country. [Flux Bar closed during the 2020 pandemic, and as of June 2021, Jamie returned to the UK.]

Some folks might think it was a mid-life crisis, but Jamie doesn’t see it that way. He may have been fulfilled in his longtime job in London as an HIV counselor, but he knew it wasn’t satisfying his long term goals and dreams of having his own business, less stress, and living with a man that he loved. When he met Ilia, a young Russian man who had been living in Buenos Aires for ten years, new things started to seem possible. Within a year he’d wrapped up all the loose ends he could think of, and was on a plane, winging his way to Argentina’s capital, trusting in a combination of fate and determination.

Looking back at things now, a couple of years later, he might have approached everything a bit differently. “I might have come down and spent some more time vacationing and getting to know the city, its ins and outs, and making a circle of friends. I might have talked to people I knew back in London about what it would be like to open my own business. I might even have spent some time checking out the bar scene in Buenos Aires before opening my own. Maybe, most importantly, I might have asked someone just how come no one had opened a bar like the one I imagined.”

Instead, somehow forefront in his mind was the idea that “Anyone can open and run a bar, it’s easy and not very stressful, and after all it’s just mixing drinks.” With those thoughts in mind, he pushed right into the fray. Noting that all the gay bars and clubs in the city seemed to be located out in the touristy or residential areas, he looked for space in the heart of the downtown financial district. Looking back, he remembers, “I thought I’d be able to attract the local and expatriate after-work crowd. None of the other bars and clubs were even open until at least ten at night, and lots of them not until midnight. I figured that gays and lesbians who wanted a drink and a place to hang out would love an early evening venue.”

He soon found a large space with plenty of room for a bar, a lounge area, and even a small dance floor. It was on a busy commercial street. It was also situated down a narrow concrete staircase, in the basement beneath a copy shop. It was close to all the things he’d thought about: the business district, many major tourist hotels and attractions, and it was easy to get to via subway or bus line. The building management didn’t seem to care what he wanted to do with the space, so he rented it, and jumped right into the renovation. On August 4th, 2005, he flung the doors open to the public, and Flux (Marcelo T. de Alvear, 980, www.fluxbar.com.ar) made its debut.

In most cities, opening a bar would prove to be a massive task – between licenses and insurance, various permits from building departments, health departments, and a legion of other bureaucratic entities. Buenos Aires, however, has limited legislation and regulation when it comes to opening a small business, and Taylor recalls, “The only inspectors I ran into were from the building department, who wanted to make sure I had my own public entrance, private garbage collection, and bathrooms. For the most part they stood there, pretty much with their hands out.” With Argentina’s depressed economy at the time, he was able to get up and running for what most business owners, especially bar owners, would think a pittance, 125,000 pesos, or just over $40,000, plus savings to live on until the bar reaches steady profitability, something it’s only just now beginning to achieve.

Gay bars have a notoriously hard time opening in many parts of the world, what with local politics, religious leaders, and often underworld shakedowns. Argentina, a strong Catholic country with a history of governmental, police, and criminal corruption, might have had those same problems, but to his surprise, Taylor found that the “gay” part of the bar was the least of his issues. Argentina’s constitution, written in 1853, has long (at least by letter of the law) guaranteed equality under the law for gays and lesbians. Civil unions have been legal for years [in Buenos Aires]. Gay marriage is a current proposal in the [city] legislature, expected to pass with relatively little opposition some time in 2007.

Flux BarFrom the beginning, it’s been a roller-coaster operation. Being new, it immediately attracted attention. Being open at a time of day when no other gay bar was, turned out to be a blessing and a curse. Taylor now says, “There were people who wanted a place to hang out with friends and drink after work, but there weren’t many of them. You know, Buenos Aires’ social culture is such that people often zip home from work and take a nap, like a late siesta, so that they can get up later and go to dinner at ten or eleven., followed by a few hours of clubbing, then a few hours of sleep, and back to work in the morning.” Jamie soon found himself catering more to a small crowd of tourists than locals. That made it hard to develop a regular clientele – the backbone of any bar business.

“I’ll try anything and everything,” he says. “I have art shows with the work of some local artists, both Argentines and ex-pats. We tried Tuesday evening gay tango lessons, Thursday language practice groups, opened up the lounge for meetings of the gay expat community, and now we’re trying late evening DJs on the weekends.” The scheduling is often erratic, as those hosting events change their plans at the last minute – a common occurrence in Buenos Aires.

As part of his plan to attract more customers, he offers a 2 for 1 early happy hour, something that isn’t common in this city. He’s also had to create some interesting specialty drinks, but first, as he points out, “Ilia and I had to learn how to bartend, period. Neither of us had any real previous experience running a bar, and mixing a G&T or pouring a beer for friends back in London wasn’t really enough. He found himself studying bar manuals and cocktail books, and he keeps a couple behind the bar to refer to when he gets stumped by a request. When he found that local liquor distributors only represented a few national and imported brands, he had to spend time searching out sources of different liquors and mixers, often purchased retail at small specialty shops or markets.

What is Jamie’s advice for other gay and lesbian entrepreneurs heading to Buenos Aires? “Have much more money than you think you’ll need! I figured out what my estimated costs would be and then added fifty percent. I wish I’d made it double, or even more. I’m still living on savings and putting everything we earn back into the bar.” He recommends making friends in the community you plan to serve, and finding out what it is that interests them. Get their input on your ideas, listen to their concerns, find out about their lifestyles, and figure out a way to implement your ideas in concert rather than at odds with those things. Otherwise, you might find yourself scrambling to make corrections that could have been easily addressed up-front. Also, find out everything you can about the business you plan to open, especially if it’s a change of career.

While his lack of training and experience in the bar world gave him fresh eyes and few preconceived notions about how to run a bar, it also left him with no practical idea how to go about it. “It was sheer luck that the economy here was ready for any kind of business investment, and that there are really no regulations, or you can easily ignore a lot of them; not that I’d recommend that. A lot of days I wish I’d found out these things before moving across the world.”

Would that have stopped him? “No, I needed a major change in my life. I wanted to be with Ilia, and I wanted an adventure.”

There’s no doubt he’s accomplished all that, in spades.


Passport magazine is a relatively new, ultra-slick, ultra-hip gay travel magazine. My friends Don Tuthill and Robert Adams, respectively the publisher and editor-in-chief, who have owned and run QSF magazine for many years, launched this publication recently. It has received industry accolades. They asked me to come along and write the occasional article for this venture as well.

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Gardelito, El Federal, Unoaked Malbecs, Provoleta

Cuisine & Vins
October 2006, page 48

cuisine insider tips
Argentina for beginners

You’ve probably headed to Buenos Aires with more recommendations for where you can get a good steak and fries than you know what to do with. Amazing as it may seem given the hype, there’s food available here that isn’t just charred red meat.


Gardelito - chambota
Anyone who has more than a passing interest in tango knows the name Carlos Gardel.- here, it’s impossible to turn a corner without seeing something related to him. It’s worth taking yourself out to Gardelito, Humboldt 1668, 4776-5333, in Palermo Hollywood. It’s an old style pub decorated with memorabilia from the golden age of tango, along with a smattering of odd household and workshop objects from the same period. The menu is pretty classic porteño style – parrilla (grill) and pastas – but has some creative variations on many of the dishes. It’s also got a short list of inexpensive wines, and not just the usual suspects. Among the more interesting dishes, a chambota, or medley of cured vegetables; plump malfatti pasta stuffed with local cheeses and herbs; earthy raviolones de seso, or large ravioli filled with cheese and cow’s brains; and a melt in your mouth delicious lomo guisado – a sirloin and mushroom stew. The best things about Gardelito are the huge portions of food and that it will hardly put a dent in your wallet.


El Federal - ñoquis parilleros
Up until recently, you could have stayed in the same general area and popped into one of the most creative small venues around, El Federal. But with five years of success, and competition in the neighborhood appearing like mushrooms after a rainstorm, chef Paola Comparatore picked up and moved to a larger venue in Retiro, at San Martin 1015, 4313-1324. The tables are heavy, dark wood blocks. The banquettes are long, backless, leather covered benches. The chairs are covered with hard-cured cowhide – not just leather, these things still have hair on them. The food being turned out of the kitchen is some of the most interesting takes around on local regional cuisine, with rich interplays of sweet sauces and spicy elements to the dishes. Some of our favorites are her repuelgues tehuelches – small Patagonian lamb and mushroom empanadas, her rolled and fried provoleta, and gnocchi flavored with chimichurri spices (garlic, herbs, and chilies) and topped with a chorizo sausage sauce. The food will run you a bit above an average dinner in Buenos Aires, but you’ll get quality a whole lot above that average – and at lunch, there’s a menu ejecutivo that’s a bargain for a three-course meal.


There’s not a concerted effort in Argentina to produce organic wines. Still, I find myself curious when I spot one, especially if it’s in a small wine shop like La Cava de Vittorio, Arenales 2321, in Barrio Norte, 4824-0647, where I know the wines are very carefully selected by folks who know what they’re doing. When the manager highly recommended giving the new organic Malbec a try – at only twelve pesos and change, I couldn’t pass it up. The strangely named Belgrano 10.640 Malbec 2003 comes from the equally oddly named Bodega A – the wine’s name turns out to be the address of the winery in Mendoza. Really quite good, this is a full-bodied, rich, spicy, wine with lots of cherry fruit – and all fruit, no oak, which I tend to appreciate with Malbec.


Domingo Molina MalbecOne of the things I hear most often from wine geek friends is that the new, premium level Malbecs, very concentrated and with lots of time in new oak barrels, don’t taste any different than any other “international style” red wine. That’s one of the reasons I like unoaked or lightly oaked Malbec. From the Salta region, one of my favorites is the Domingo Molina Malbec 2002. What I like most about this wine is its vibrancy, because the winery in Salta only ages 10% of the wine in oak, the rest in stainless steel, giving it a touch of roundness, but emphasizing the purity of the fruit. The wine shows spicy dark fruits like blackberry and boysenberry, with a touch of mace and nutmeg, and a long, tasty finish. The wine will run you around 55-60 pesos in local shops, and it’s well worth spending the extra.


provoleta
Gooey, melted cheese with a lightly smoky, slightly crispy exterior. The provoleta, an ubiquitous parrilla appetizer takes a thick slab of provolone which the grill man brushes with olive oil, sprinkles with plenty of cracked black pepper and oregano and throws it on a rack over the coals until it’s browned on the surface and all melty and runny inside. There are numerous variations on provoleta, the most common being the simple substitution of different herbs or spices. Some like to chop fresh or grilled tomatoes or red bell peppers atop. Possibly the most interesting of these variations is the provoleta rellena, or stuffed provoleta, where the slab of cheese is slit open like a pocket pita bread and the middle is filled with slices of ham, tomato, and peppers.


In October 2006, I started writing for this Spanish language magazine, covering their English language section for travellers. I wrote for them for about two years. The copy editor, apparently not fluent in English, used to put each paragraph in its own text box on a two column page, in what often seemed to be random order, making the thread of the column difficult to follow. I’ve restored the paragraphs to their original order.

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Live from Buenos Aires

Wine & Spirits
Restaurant Report
Fall 2006

Live from Buenos Aires
Dan Perlman looks at the Argentine wine

Walk into virtually any wine shop in the U.S. and find a selection of Argentine wines – wines from the far reaches of South America tend to dominate the “cheap and cheerful” sections for many retailers. It’s hard to find many of the quality wines that are also being produced by many of the same, and other producers. In this sector the lead has been taken by Chilean wineries with strong international and government backing that has led to a conundrum for many a restaurant buyer – it’s far easier to select and access fine wines from the west coast (Chile) of the continent than the east coast (Argentina and Uruguay). Names like Catena, Achával-Ferrer, and Navaro-Correas are easily recognizable to most in the wine trade. We know that even recent media exposure has tended to ignore the top wines of this country. Also, much of the wine at the top level is produced in very limited quantities, making it difficult to have even the opportunity to sample.

Unlike Chile, where the government and the winegrowers’ associations have made a concerted effort at international marketing, Argentina has left things to the individual wineries. The lack of governmental support isn’t surprising, with the economic collapse in late 2000 and early 2001, official funds for projects of that nature are largely non-existent. Still, there is a wide range of wines available, and more and more coming on the market it seems on nearly a weekly basis.

On the retail side it may be a boon to have a sudden influx of inexpensive Chardonnay, Sauvignon blanc, Cabernet, Syrah, and Merlot to offer, especially as those same wines from suppliers now established (Australia, “lesser known” appellations of Europe, even domestic U.S.) have steadily crept up in price. This may even offer some opportunities for “house pours” in many restaurants. Still, most of these wines are “just another Chardonnay.” What Argentina has to offer are its two shining “native” grapes. Not that they’re really native grapes, but they are the varietals that offer Argentines a place for bragging rights.

On the white side is Torrontés, a grape of slightly murky origins, falling into the family of Muscat related varietals. The grape is believed to have been imported from Northern Spain, although this is mostly based on circumstantial evidence. At one time the grape was also one of the “single varietals” of Madeira, and old examples can be found. For whatever reasons, it was not replanted after the fires that destroyed the island’s vineyards a century or so ago. Torrontés is unique in its particular combination of flavors and well worth seeking out for the sommelier that wants to offer something off the beaten path.

Examples from the lines of Crios de Susana Balbo, and Viña de Balbo are perfect summer sippers with crisp, delicate flavors, reminding me very much of Italian style Muscats – very common from Mendoza. On the opposite end fall examples like those from Bodegas Etchart, Bodega Sur, or Don David, that are ripe, rich, and powerful, falling into a similar range and style as many of the examples of Muscat one might see from Alsace, and much more typical of Torrontés from Salta.

The true star of Argentina’s portfolio is Malbec. In Argentina, where it has been grown since the mid to late 1800s, Malbec is planted in vineyards that encompass an area roughly four times that of the Malbec vineyards in France. The Argentine Malbec has developed its own unique flavor profile. While blending is not unusual, single varietal Malbec dominates both the markets and the pride of local winemakers.

In the inexpensive range the wineries are nearly too numerous to list. In the mid-range, my personal favorite is the Malbec of Ricardo Santos. At the higher end it is harder to make a selection – not because of a lack of quality, but again, the lack of marketing drive and support limits the opportunities for many wine directors to taste them. My personal favorite is Domingo Molina. There are also some wonderful blends with varying amounts of Cabernet, Merlot, and/or Syrah from producers Ruca Malen, Rutini, and Achával-Ferrer.

As the Argentine economy continues to recover, it will not be surprising to see Argentina gain ground against the Chilean dominated South American export market. After all, as the fifth largest producer of wine in the world, there’s certainly enough to offer.

Dan Perlman is a trained chef and sommelier who currently resides in Buenos Aires. He is an internationally published food and wine writer best known for the award-winning wine lists at American Renaissance, Felidia, Veritas, AZ, and Pazo.

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