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The View From Missive Control

Space Frontier News
Space Frontier Society
A Chapter of the National Space Society
December 1994
Vol. 5, No. 9
Page 2

The View From Missive Control
by Dan Perlman, Editor

Well, here we are at the end of 1994. It seems this year went incredibly fast. The political clime pormises change – as to how it affects space exploration remains to be seen, but it seems promising.

Greg Zsidisin gives us an analysis of that political future in his President’s Message. He also gives us a quick update on ISDC ’96 and a look back at last weekend’s joint “field trip” with the Philadelphia chapter of NSS. This issue we have the continuation of Darrell Coles’ feature on Space Development Finance that he began with our October issue.

Steve Wolfe joins us this month with a look at some restructuring of the SFS committees and how you can be a part of it all. Carolyn Josephs catch’s us up on the doings of the Education Committee, especially as regards next year’s educators conference and the current student space art competition. Robin Vernuccio gives us another excellent book review, and we present another one of our outstanding student essays from this year’s competition.

George Lewycky joins us with a look back at an exciting year for him, 1993. If 1994 was as exciting, perhaps we can look forward to a similar review?

Big doings are afoot in the world of life on Mars. Take a look at the Space News column to see just what’s happening. In other news, the Space Shuttle fleet gets a boost from McDonnell Douglas and Boeing. David Anderman sends us the latest update on the Lunar Resources Data Purchase Act.

Thanks to all of you who sent compliments on my review of Marshall Savage’s The Millennial Project, I enjoyed reading it and writing about it. Fair warning though, with this kind of encouragement, you may find yourself stuck with more reviews…

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The View From Missive Control

Space Frontier News
Space Frontier Society
A Chapter of the National Space Society
February 1995
Vol. 6, No. 2
Page 2

The View From Missive Control
by Dan Perlman, Editor

Just a couple of quick notes this month. Seth Potter’s much awaited primer on solar power beaming graces our front cover. Robin Vernuccion serves up a review of a book for teachers, and Carolyn Josephs catches us up on the Education Committee’s doings. Our speakers for the next two meetings are: Dr. Seth Potter, NYU, speaking on “Low-Mass Solar Power Satellites”- Sunday, February 12; and Dr. Greg Matloff, NYU, speaking on “Across the Galaxy in 20 Minutes” (Interstellar Flight) – Sunday, March 12; both at 3:00 p.m. at Houlihans, East 42nd Street and Lexington Avenue.

The Education and ISDC ’96 Committee meetings will be held back-to-back on the dates listed below. Education will meet 12-2, ISDC 2-5. As always, the specific room will not be known until shortly before the meeting; the location will be displayed on the monitors in the hotel lobby. We’ve included the planned calendar for all of 1995 so that you can scribble in your date books now!

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The View From Missive Control

Space Frontier News
Space Frontier Society
A Chapter of the National Space Society
March 1995
Vol. 6, No. 3
Page 2

The View From Missive Control
by Dan Perlman, Editor

One of our goals in providing Space Frontier News to our membership and readers is to communicate what’s happening in the space, astronomy, astrophysics, and yes, even science fiction, world in New York and surrounding areas. We’ve been a little lax in the past few issues in providing our regular Space News column, as well as including information about events sponsored by organizations other than SFN or NSS.

Starting with this issue we’d like to rectify that. But to do so, we need your help. If you know about events of interest to our space advocate community, let us know – preferably with sufficient advance notice to have it appear in these pages. If you attend an event, be it a lecture, a film, a meeting, or convention, send us a couple of paragraphs on what happened.

Some of you have already started doing this after we made a similar request at the last general meeting. Thanks go to Frances Crane and Don Fowler for providing the schedule for the Hayden Planetarium’s Frontiers in Astronomy & Astrophysics lecture series. David Millman provides a look at NASA’s new budget, and several of our space colleagues have submitted news about upcoming events and services. Also, arriving barely in time, we received a flyer on a program “Rovers on Mars via Hawaii” running between March 4th and 11th at the Maritime Center at Norwalk, sponsored by The Planetary Society and the JASON Project. Call 203/852-0700 for more information. And, if anyone goes to the exhibit…

Make sure to attend our general meeting on March 12th, where Dr. Greg Matloff will take us on a trip “Across The Galaxy in 20 Minutes – Interstellar Flight”.

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The View From Missive Control

Space Frontier News
Space Frontier Society
A Chapter of the National Space Society
April 1995
Vol. 6, No. 4
Page 2

The View From Missive Control
by Dan Perlman, Editor

I’ll chalk it up to tax preparation time that our regular contributors were short on time to prepare articles for this month’s issue. It’s been awhile since excerpted the NASA and other source space news for your reading pleasure – hopefully we can continue to include it in future issues – any volunteers to take on scanning the publication and net-worlds?

You’re also going to be subject to another of my book reviews. This time, the weighty (physically, not intellectually) tome, “Pale Blue Dot” by Carl Sagan.

Our Hayden Planetarium watchers, David Millman, Frances Crane and Don Fowler provided us with detailed information on an April 25th special presentation, “Public Forum on Near Earth Objects.” The tagline for the program is ‘How should society respond if a comet were found on a collision course with earth?” The panel will focus on the potential threat to human survival after a major comet or asteroid collision with the earth. Neil de Grasse Tyson of the Planetarium and Princeton University will moderate. Panelists will be Freeman Dyson, David Morrison, Richard Gott and Nicholas Wade. Cost is $12 ($10 for members). The program will begin at 8:00 p.m. Call (212) 769-5900 for more information.

Welcome to new member Bill Engfer, and thanks for your renewal memberships: Greg Zsidisin (saved us from having to find a new president…), Richard Nadler, Edward Finch, and Susan Thau.

The next Programming Committee meeting will be Monday, May 22, at 6:30 p.m. It will be held at Lucy Schmeidler’s home, 470 West End Avenue, at 83rd Street, Manhattan. Anyone interested in attending should call Lucy at (212) 580-0207.

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Dot, Dot, Dot

Space Frontier News
Space Frontier Society
A Chapter of the National Space Society
April 1995
Vol. 6, No. 4
Page 2

The View From Missive Control
by Dan Perlman, Editor

Pale Blue Dot:
A Vision of The Human Future in Space
By Carl Sagan
Random House
429 pages, $35.00

The “Pale Blue Dot”, of course, is our own planet Earth. Viewed, as the text points out, by Voyager 2 from beyond the orbit of Neptune. Actually Mr. Sagan repeats this theme in various guises throughout the book. I suppose without us each having the opportunity to head into space and look back for the visceral effect, he hoped to drive home the point through repetition. We’re a really small planet in the back end of nowhere. Oh, and we’re pale blue.

This, however, may be the only true negative of the entire book. The text is easy to read and will probably be fascinating for any reasonably intelligent human interested in space exploration. It focuses primarily on the Voyager missions, but doesn’t neglect other forays throughout our solar system. This may be the best “lay” book on the outer planets to have yet been published.

Neatly arranged, he starts us from the early days of civilization and the wonder of the stars. After making sure a couple of times that we’re clear on our place in the scheme of things, he moves us through the basics of space exploration and the detection of life, sentient and otherwise. Then Mr. Sagan leads us on a breathtaking tour of Saturn, Jupiter, Uranus and Neptune, their associated moons, the asteroids, swoops back in for a detailed look at Venus and Mars, explores the possibilities of terraforming, colonization, mining, asteroid deflection, and a few dozen other things. Then he winds up with a philosophical look at our future in space, reminds us once again that we’re on a a pale blue dot in the middle of the backwoods, and refers us on to other books to read.

Most impressive, however, is the illustration work. Mr. Sagan has collected together some of the most beautiful photos and paintings of our neighboring planets and galaxies to have ever been put in one public place. At least that didn’t require driving or flying somewhere and paying an admission charge. If for nothing else, this book is worth the cover price on the basis of the sheer pleasure of flipping through the pages. This is a book no noe should be embarrassed to say, “I just look at the pictures.”

The book is printed on glossy stock, so it’s hefty to hold. But somehow, this gave me a feeling that I was reading something solid and worthwhile. Not to mention the added class it gave to the artwork. One may or may not agree with Carl Sagan’s opinions, arguments and conclusions, but he does a damned fine job of presenting them.

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The Book Stack #4

jumbled books
The brunt of my reading over the last many weeks since my last post (and it actually started before that last post) was binge reading through Jim Butcher’s Dresden Files (April 1, 2000 – May 27, 2014) novels.
dresden files
It’s going to seem short shrift to place them all into one small review, but I’m not going to go through and review each individual one of the fifteen. I found them to be fun, irreverent, easy reads, the basic premise, the exploits of an openly proclaimed wizard in Chicago, as he fights demons, ghouls, and more, alongside the local police department’s division for handling stuff that no one can explain, no one wants to handle, and no one wants to talk about. Harry Dresden is a wisecracking magically endowed private investigator who loves nothing more than bringing in cult movie and television references, more or less just to see if anyone around him is paying attention. I found the series to get a bit off the rails in books 13 and 14, where it seemed like Butcher was taking it in a totally new direction, and the writing seemed a bit lost, but it all came back on track in the current last novel. Overall, a great series to get started on if you like the world of magic, the paranormal, crime, and punishment! The series was turned into a not short-lived enough, and truly, appallingly, bad television show that shouldn’t have lasted through the first season that it did. ☆☆☆☆

Several years ago someone recommended Robert Harris’ historical novel Imperium: A Novel of Ancient Rome (September 19, 2006) to me. Given my love of things Italian, history, and fiction, it was a match made in heaven. It’s basically a fictional account of the life of Marcus Cicero, the famed orator of the Roman senate, as he first came to power. The book is written as an eyewitness account from his personal slave and secretary, Tiro. Historical fiction is a favorite genre of mine, and this was completely engaging, and more or less a “couldn’t put it down” kind of read. My recollection is I read through it in a matter of a couple of days. And, obviously, I loved it. As to why I didn’t jump right into the next book in the series, I truly can’t tell you. But, it suddenly occurred to me that I hadn’t, and I rectified that with a plunge into Conspirata: A Novel of Ancient Rome (March 30, 2010) right after finishing the Dresden Files. Equally as good, the story continues with Cicero’s political career as he encounters some of the best known figures of that time, including Julius Caesar. Political machinations are the core of the second novel, and it’s surprising in many ways how little the world of political intrigue has changed in the millenia since (then again, the novels are written by someone living in today’s world, so it may be that Harris simply borrows from that which is familiar to a modern audience). In the world of “court politics” or “palace intrigue” this easily rivals the intricacy of well known pop culture references like Game of Thrones, House of Cards, or Scandal. Looking forward to the next novel! ☆☆☆☆

Neal Stephenson, Seveneves, (May 19, 2015)

One of the things that’s count-on-able with Stephenson’s longer novels is that they follow a predictable pattern. If you assume roughly 900 pages or thereabouts for most of them, there will be an initiating event, something that starts the entire story in motion, something to grab your attention, and it will take up the first 150-200 pages. Then there will be roughly 400-500 pages of character development, lots of explication, lots of looking at how motivations develop, lots of “here, let me explain why the story, when we get to it, is going to go the way it goes”. And then it’s finished off with what amounts to the “real” novel, about 250-300 pages where all the action that was set in motion, and influenced by all the motivations developed during the entire middle section, happens. I hear time and again how people launched into one of his books with fascination at the premise, and then gave up 100 or so pages further on when it just got too tedious to continue. And they miss out on all the good part when the story takes off again.

This book is no different. I read through section 1 in under two hours, a complete page turner. Then it took me a month to get through to “section 3” (pages 567-861), because I found I couldn’t read more than a few pages of section 2 (pages 227-567) at a time without drifting off. And then I read through section 3 without pausing in roughly two hours.

Loved sections one and three. I appreciate the info in section two, but my god there’s got to be a way to do that midsection of all of his books in half or fewer of the pages. ☆☆☆☆

Lucy Burdette, Killer Takeout, (April 5, 2016)

Last year I whizzed my way through the six novels of the “Key West Food Critic Mysteries”. Basically, I’d refer you to that review, particularly the last couple of paragraphs where I summed up the series. Much the same holds true for this seventh novel, a fun read, but showing a decided lack of knowledge in the food world.

Although I’ve liked this series a fair amount, something about this latest volume just felt a little thrown together, as if it wasn’t thought through as well as the others, and that’s saying something given my thoughts about the series. I still enjoyed it, just not as much as the rest.

I hadn’t done any research into the author, and “Lucy Burdette” turns out to be a pen-name for Roberta Isleib, a clinical psychologist, also known for writing a series of golf-mystery novels, and who writes an advice column under the title “Ask Dr. Aster”. A psychologist with three different identities… just something to muse upon.

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Catch a Rising Star

Santé
The Magazine for Restaurant Professionals
September/October 1998
Page 42-43

The New Iberia
Catch a Rising Star

Up until a dozen years ago, there was little to talk about besides Port and Madeira. Portuguese winemakers stubbornly held on to “traditional values,” a poor defense for wines that were generally harshly tannic and oxidized. Also, the popular appeal of Portuguese rosé that once accounted for 25 to 50 percent of the country’s wine exports to our shores faded as our homegrown White Zinfandel captured an ever-increasing share of the domestic rosé market.

In 1986, with Portugal’s entry into the European Common Market, the new guard of the country’s winemaking industry has actively sought worldwide market acceptance. Portugal, in fact, ranks around sixth in overall production volume of wine, which is not bad for a country that could fit comfortably inside the state of Indiana. This is even more impressive when you consider that less than five percent of the country is under vine.


WHAT IS A PORTUGUESE RED TABLE WINE?

General Characteristics
Beyond the many modestly priced table wines of robust and rustic character that pair well with Mediterranean cuisine, a number of good producers are fashioning some elegant wines with spicy, black fruit flavors and moderate tannins that work well with a variety of foods, including game, red meats and roasts.

Aging
Except for the top wines from the best producers from very good vintages that will age gracefully for 5-10 years or more, most Portuguese reds are ready to drink upon release.

Recent Vintages
Vintages are wildly variable, mostly due to the Atlantic influence.
1989 and 1990 – Particularly good in the Alentejo area, but only of good quality in the balance of winemaking regions.
1994 and 1995 – Absolutely outstanding throughout most of Portugal.


santeiberia1Finding Quality
It is now possible to see, in virtually any retail wineshop around the country, wines labelled “Vinho Verde,” “Dão” and “Bairrada.” The grapes of Port are repackaged in dry table wine form and marketed under the Douro appellation. Portuguese restaurants are no longer limited to half a dozen selections from their homeland as the variety of wines suddenly available is staggering.

Admittedly, there is still a preponderance of inexpensive Portuguese table wine on the market. Looking through lists of available wines, the vast majority came in under $70 a case, many under $50. Having tasted quite a few of them, I believe that many make pleasant house pours and easy-drinking quaffs for casual dining. Still, customer unfamiliarity with names and places makes them a tough sell on a winelist.

My focus here is on red wines of higher quality. I began by selecting only those wines that came in at $72 or more a case. Depending on pricing schemes, this probably means wines that will sell on your list for a low in the $15-20 range. The top-end wines wholesale for more than $300.

The Best Red Wine Regions
The Portuguese appellation system, one of the earliest of its kind in establishing formal guidelines to ensure excellence, was first formed in 1756, specifically for the Douro as the home of Port wines. The current modern system focuses on two quality levels: the top DOC, or Denominacão de Origem Controlada, and a second tier, VR, or Vinho Regional. While there are now 19 classified DOC regions, most of the quality red and white wines come from the cneter to north of the country, roughly bordered by the rivers Douro and Tagus.

Carlos Agrellos, Quinta do Côtto, Cidadelhe, Douro Valley

Carlos Agrellos, Quinta do Côtto, Cidadelhe, Douro Valley

In the north, the major source of quality red wine is Douro. The wines are based on the various grapes of the Touriga and Tinta families: Tinta Francisca, Tinta Roriz, Tinta Cão, Tinta Barroca, Touriga Nacional and Touriga Francesca are the primary components. The wines tend to show good, clean fruit, a fine balance of tannins and acidity and cautious use of oak. Quinta do Côtto is one of the stars here and is leading the way to quality winemaking.

A bit further south in the Dão Valley, variety is the watchword. While Touriga Nacional still abounds and is required to comprise 20 percent of the blend, grapes such as Bastardo, Alfrocheiro, and Jaen pop up with abandon and add their own characteristic flavors to the mix. Here, the wines are often tannic when young, but have good fruit and backbone that will balance the tannins with age. These wines often peak at 12-15 years of age.

Neighboring Bairrada bases its wines on the Baga grape with other local varieties blended in for complexity. Rich, perfumed wines that ripen and soften with age make this area one of the shining stars in Portugal’s portfolio. Top-end gems from producers such as Luis Pato are world-class, but Bairrada is not a guarantee of quality; I found that some producers are still making tannic, oxidized-style wines that they exhibit with great enthusiasm as traditional bottlings.

There is great potential in many of the wines of central and south Portugal. José Maria de Fonseca is the leading producer of quality wine throughout the area; but as with Portugal in general, many producers in the south still employ outdated techniques in the vineyards and wineries that result in wines that are out of fashion in the U.S.

In truth, this last statement sums up the Portuguese wine industry. While much of Portugal’s vast wine industry is still dedicated to the cheap and cheerful market, quite a few good and even great wines are made. Paired with the right cuisine and promoted with enthusiasm, these exciting wines will reward your adventurous guests with an exceptional wine experience.

The vineyards of Quinta do Aveleda, Penafiel, Vinho Verde

The vineyards of Quinta do Aveleda, Penafiel, Vinho Verde


REVIEWER’S CHOICE

Quinta do Casal Branco / 1995 Almeirim Falcoaria
Trincadeira Preta & Castelão Francês
Rich, ripe blackcurrant fruit and spice. Absolutely delicious anytime. For the price, wow!

Quinta do Côtto / 1995 Douro Grande Escolha
85% old vine Tinta Roriz, 15% Touriga Nacional & Touriga Francesa
Ripe blackberries, bittersweet chocolate, spice and lots of depth. A stunning wine.

J.P. Vinhos / 1995 Terras do Sado Quinta da Bacalhôa
90% Cabernet Sauvignon, 10% Merlot
Ripe plums, vanilla and cocoa, very smooth. Delicious by itself or with a wide variety of meals.


NAME THAT GRAPE
Grape varieties from Portugal seem unfamiliar, not only to the average restaurant patron, but also to those of us in the trade. The Bastardo, commonly used in Dão reds and in Port, is the Trousseau of France’s Jura reds. Aragonez from the Alentejo, alias Tinta Roriz in the Douro and Tinto de Santiago in Setúbal, is known to most of us as Tempranillo, Spain’s most popular red. Mençia, from Vinho Verde in the north, is generally believed to be Cabernet Franc.

Within Portugal itself, much as they do in many other countries, grape names change from place to place. The highly regarded Periquita is alson known as Castelão Francês, João de Santarém, Mortágua and Trincadeira. Even more confusing, in some parts of Portugal, Trincaderia refers to an entirely different grape, the Tinta Amarela, resulting in wines that claim to be blends of Periquita and Trincadeira!

PORTUGAL REDS

VALUE

Caves Dom Teodósio “Cardeal Reserva” / 1990 / Dão
35% Touriga, 35% Tinta Pinheira, 30% Bastardo
Blackberry, spice and lots of structure. Tasty with meat dishes, especially game.

J.P. Vinhos “Herdade de Santa Marta” / 1993 / Alentejo
40% Periquita, 15% Alfrocheiro, 15% Tinta Carvalha, 15% Trincadeira, 15% Moreto
Cassis, raspberries and cream – medium bodied. A nice spicy choice with spicier foods.

Luis Pato “Quinta do Ribeirinho” / 1995 / Bairrada
Baga, Touriga Nacional
Pleasant, fresh raspberry and cherry fruit, smooth and well-balanced. With lighter meals, a real winner.

Quinta da Lagoalva / 1994 / Ribatejo
Periquita, Touriga Nacional, Cabernet Sauvignon
Leathery, gamey notes with dark fruit to back it up. For the price, a great glass of wine with red meats.

Quinta das Setencostas / 1996 / Alenquer
Periquita, Tinta Miuda
Raspberry liqueur coated with milk chocolate. A tasty pre-dinner quaff with lots of fruit.

Quinta do Casal Branco “Falcoaria” / 1995 / Almeirim
Trincadeira Preta & Castelão Francês
Rich, ripe blackcurrant fruit and spice. Absolutely delicious anytime. For the price, wow!

Sogrape “Reserva” / 1995 / Douro
Touriga Francesa, Touriga Nacional, Tinta Roriz, Tinta Barroca, Mourisco & Bastardo
Raspberry, spice and good structure. A nice choice with all sorts of dishes.

MODERATE

Caves Velhas Romeira “Garrafeira” / 1991 / Palmela
Periquita & Trincadeira Preta
Earthy, dark fruit, some oak and spice. Slightly hot, but a good choice with spicier foods.

José Maria da Fonseca “Quinta de Camarate” / 1991 / Terras do Sado
75% Castelão Francês, 25% Cabernet Sauvignon
Dusty, bright berry fruit and a touch of tannins. A tasty choice with deep sea fish, pasta and rice dishes.

J.P. Vinhos “Quinta da Bacalhôa” / 1995 / Terras do Sado
90% Cabernet Sauvignon, 10% Merlot
Ripe plums, vanilla and cocoa, very smooth. Delicious by itself or with a wide variety of meals.

Quinta da Lagoalva de Cima “Special Reserva” / 1992 / Ribatejo
85% Periquita, 15% Syrah
Ripe blackberries, pepper, slightly tannic and fairly alcoholic. Needs some time.

Quinta da Pellada Touriga Nacional / 1996 / Dão
40% Alfocheiro, 60% Touriga Nacional
Smooth, ripe cherry fruit, spicy. Delicious with fish and fowl.

Quinta do Carvalhinho Cabernet Sauvignon / 1995 / Beiras
100% Cabernet Sauvignon
Ripe plums, cedar, chocolate. Delicious on its own or with meats.

Quinta do Carvalhinho Garrafeira “Casta Baga” / 1990 / Bairrada
100% Baga
Ripe plums and peaches, good spice and well balanced. A really good choice with lighter meats.

Quinta do Crasto / 1995 / Douro
50% Tinta Roriz, 30% Tinta Barroca & 20% Touriga Francesca
Cherries, spice and vanilla. A good choice with lighter meats.

Quinta do Crasto Reserva / 1995 / Douro
Old vine blend
Cherries, earthiness, spice and a nice touch of oak. The concentration makes it a great choice with pastas, mushrooms and meat.

PRESTIGE

José Maria da Fonseca “Garrafeira CO” / 1990 / Arrábida
mostly Castelão Francês
Rich, spicy, blackberry fruit. Perfect with small game and game birds, or lamb dishes.

José Maria da Fonseca “Garrafeira TE” / 1990 / Arrábida
65% Camarate, 35% Cabernet Sauvignon
Milk chocolate covered cherries. Delicious on its own or with a heavier dinner.

José Maria da Fonseca “Periquita Clássico” / 1992 / Terras do Sado
70% Castelão Francês, 25% Espadeiro & Monvedro, 5% Bastardo
Rich, ripe fruit, cedar and tobacco. One of the more complex selections and needs some time.

Luis Pato “Vinha Pan” / 1995 / Bairrada
100% Baga
Ripe black cherries, licorice, and spice. Very young and fairly tannic.

Luis Pato “Vinha Barrossa” / 1995 / Bairrada
100% Baga
Even more concentration than the Vinha Pan, but similar profile. Black cherries, licorice, and spice. Needs time.

Quinta do Côtto “Grande Escolha” / 1995 / Douro
85% old vine Tinta Roriz, 15% Touriga Nacional & Touriga Francesa
Ripe blackberries, bittersweet chocolate, spice and lots of depth. A stunning wine.


Santé is a glossy format trade magazine for restaurant wine buyers and educators. I wrote as a freelancer for them on and off from the first issue in November 1996 until November 2002 when they decided to stop using freelance writers.

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Veneto: Outstanding Originals

Santé
The Magazine for Restaurant Professionals
November 1998
Page 42-43, 75-76

Veneto: Outstanding Original

In April, I find myself jetting across the Atlantic to hang for a week in the Veneto – specifically, Verona. Home of Romeo, Juliet, and a couple of gentleman, Verona is also host to the annual VinItaly wine exhibition. From every corner of Italy and many parts of the rest of the world, thousands of producers flock to the fairgrounds in this ancient town to show their wares.

The Santi vineyards outside Verona

The Santi vineyards outside Verona

Local merchants and restaurateurs gear up for one of their busiest food and wine weeks of the year. Baccala, polenta, radicchio, and the occasional dish of horsemeat are served up left and right. Risotti made with local herbs or local wines fly out of kitchens to land on tables that are packed from the opening moment till the wee hours. The usual response to a request for a table is “Try next Monday” – after the fair is over, of course. Luckily for those of us who manage to find tables, the local wines are delicious, the perfect accompaniment to the irresistible local cuisine.

The Whites
Winemakers in the Veneto produce a wide array of wines, from sparkling to white to pink to red to sweet. In recent years, the market for “international varietals” has sparked the industry for cheap and cheerful Chardonnay, Merlot and Cabernet. While often attractive, these are not the wines that the Veneto is justly famous for, nor are they the wines that are consumed locally. Pinot Grigio has also become a bit more visible, but most wine drinkers seem to prefer the crisper styles that come from neighboring Friuli.

There is nothing quite so refreshing as to start a meal with a glass of Prosecco. By regulation known under one of two names – Prosecco di Conegliano or Prosecco di Valdobbiadene, Prosecco is one of the most ancient white wine grapes in Italy. Produced like Champagne by the mètodo clàssico, this crisp, high-acidity grape is the perfect apertif when made in a brut or extra dry style and is a delight at the end of the meal in a demi-sec style.

The leading white wines of the Veneto are Soave, Lugana, and Bianco di Custoza. Thanks primarily to the efforts of the Bolla winery, Soave is probably Italy’s most well-known white in the United States, a staple of Italian restaurant wine lists. Based on the Garganega grape, Soave can be dry, sweet, or anywhere in between and can range from quaffable bar wine to an impressive, rich, meal accompaniment. Some top producers, such as Anselmi and PrB, are even producing superb, single vineyard “reserve” styles.

Lugana is the local Venetian dialect name for Trebbiano, a grape ubiquitous throughout Italy. Like Soave, it can be light and nondescript; in the hands of a good producer, however, Lugana can be an amazing experience. Sergio Zenato, one of the Veneto’s stars, also produces a signature, reserve Lugana that is age-worthy.

Bianco di Custoza, a wine made from a field blend of local grapes that includes both Trebbiano and Garganega as well as Pinot Bianco, Pinot Grigio, Riesling and others, is most often the local bar wine. While it is unlikely that Bianco di Custoza will ever be a world-class wine, it is virtually always refreshing and satisfying as either an apertif or first-course libation.


What is a Veneto Wine?

General Characteristics
Whites run the gamut from the dry, light, everyday aperitifs of Bianco di Custoza and sparkling Prosecco to the Trebbiano-based, peachy Lugana to medium-bodied, sometimes off-dry, apricot and herb Soave.

Reds range from the light-bodied Bardolinos with simple red fruit to age-worthy, full-bodied, high-alcohol, dried fruit-flavored Amarones that pair with game or with cheese. The versatile, food-friendly Valpolicellas cover a broad middle range.

Aging
Proseccos, most whites, Bardolinos and some light Valpolicellas are ready to drink upon release. Lugana and Soave “riserva” and richer-styled Valpolicella and Ripasso can age. The best Amarones from great vintages can age for decades; 1988-1991 vintages are drinking perfectly now. Veneto dessert wines are generally age-worthy.

Recent Vintages
1995, 1996 – Good for Bardolino and Valpolicella.
1988, 1990 and 1995 – Excellent for Amarone.


santeveneto2The Reds
On the red front, Veneto boasts two major appellations – Bardolino and Valpolicella. These neighboring communities produce wines based on three grapes; Corvina, Molinara and Rondinella. Similar to Custoza, Bardolino is the local quaffing wine, but some fairly decent bottles reach our shores that make for a nice, slightly rustic match with the more “peasant” aspects of Northern Italian cuisine.

Bardolino is usually composed of less Corvina, the grape that gives color and body, and more Rondinella, a less expensive, easier to produce and more neutral tasting grape. There is a “classico” or heartland sub-appellation to Bardolino centered on one side of Lago di Garda, one of the prettiest lakes in Italy. The quality here is often better than the surrounding Bardolino area.

Valpolicella, whose production comprises a fairly large portion of the Veneto, comes in several guises. The base appellation is a dry, generally light, red table wine that can be simple or complex and goes with a wide variety of foods. It is, unfortunately, a difficult wine to define. I have had examples that were very light and simple with rather high acidity that complemented lighter fish dishes, and I have had wines from producers like Dal Forno Romano or Quintarelli that were so concentrated and rich that they easily stood up to local game dishes. Some local producers, notably Allegrini and Quintarelli, also produce single varietal wines from one or another of the local trio, most often either a richer Corvina or a lighter-style Molinara.

Within the Valpolicella region, there are three additional sub-appellations. The most well-known is Amarone Recioto della Valpolicella – more commonly known as Amarone. A distinctive style of wine, the grapes are left to air-dry for months, often until late February or early March. In addition, many producers leave the grapes on the vine to develop botrytis. The resulting raisinated grapes are then crushed and fermented dry to result in a concentrated, high-alcohol wine that, because of limited tannins in the particular varietals, can be drunk young or left to age.

Amarone is now made by a large percentage of Valpolicella producers, and experiments with various vinification techniques, barrel fermenting and barrique aging are adding to the range of styles and quality of this wine. Top producers include Quintarelli, Dal Forno Romano and Allegrini. Some of their wines need at least a decade to mature.

One of the interesting by-products of experimentation is the Valpolicella Ripasso. Not an official appellation, it is the result of producers who wanted to add body to their basic Valpolicellas. A small portion of either dried grapes or the remaining pomace from Amarone production is added to the Valpolicella fermentation tanks to boost concentration, flavor and alcohol levels. Most are marketed under the Valpolicella Superiore appellation, which requires an additional degree of alcohol, but many are now being called Ripasso, resulting in a new category for wine drinkers to explore. Boscaini and Allegrini produce delicious examples.

Sweet Wines
Veneto’s sweet wines include Recioto della Valpolicella. Generally made from botrytized grapes, the “recioto” refers to picking the grapes from the “ears” of the grape bunch, the ones that have the most sun exposure and are richest in sugars and flavors. Produced much like Amarone, the fermentation is stopped, either naturally or artificially, to produce a rich, concentrated dessert wine that is Italy’s answer to port.

There are also some delicious Recioto di Soave wines produced in the Soave region; all late harvested, and some botrytized. With honeyed, ripe, stone fruit character, these make wonderful accompaniments to fruit- and cheese-based desserts. Other white dessert wines are produced from a variety of grapes, including the interesting, Vespaiolo-based wines from Fausto Maculan.

As anywhere, there are good and bad wines that come from the Veneto. More and more, however, the wines are consistently good, and top-quality producers are making wines that rival the best from other regions of the world. Take some time and taste through what’s available to you locally, and next year, let’s hook up for a bottle in downtown Verona.


Reviewer’s Choice

Nino Franco / N.V. Prosecco di Valdobbiadene Rustico
100% Prosecco
Dry, notes of cooked pears and cardamom. With sushi, it was the hit of the pack.

Cavlchina / 1996 Bianco di Custoza Amedeo
Cortese, Garganega, Trebbiano
Rich, ripe pears, light yeastiness. Impressive for the gnre and an incredible choice with veal and pork.

Brigaldara / 1991 Amarone Classico
Corvina, Rondinella and Molinara
Dried plums and cherries, spice, chocolate. Still a little young and tannic.

Maculan / 1994 Acininobili
85% Vespaiola, 10% Tocai, 5% Garganega
Honey, spice, dried pears and apricots. Cries out for blue cheese, or just sip it on its own.


VALUE

Brigaldara / 1996 Valpolicella Classico
Corvina, Corvinone, Sangiovese
Blackberries and spice, great structure. Perfect with lighter meats and lightly spicy dishes.

Boscaini / 1995 Bardolino Classico Superiore Le Canne
Corvina, Rondinella, Molinara
Red currants and spice. An interesting wine, good with lighter fried foods.

Cavalchina / 1997 Bianco di Custoza
Cortese, Garganega, Trebbiano
Pears, a touch of honeydew melon and light spice. Wonderful with poultry and veal.

Cavalchina / 1996 Bardolino Superiore Santa Lucia
Corvina, Corvinone, Rondinella
Plums, cherries and spice. Delicious on its own or with lighter meals.

Nino Franco / N.V. Prosecco di Valdobbiadene Rustico
100% Prosecco
Dry, notes of cooked pears and cardamom. With sushi, it was the hit of the pack.

Montresor / 1997 Bianco di Custoza
(mostly from Garganega, with Tocai, Chardonnay, Bianco Fernanda and Trebbianello)
Cream, spice and fresh peaches. Delicious as an aperitif or with poultry and light pasta dishes.

Villa Rizzardi / 1995 Valpolicella Classico Superiore Poiega
Corvina, Rondinella and Molinara
Sweet cherries, spice and a touch of chocolate. Delicious on its own and a great match with lamb.

Zenato / 1997 Lugana San Benedetto
100% Trebbiano
White peaches, minerals and a touch of yeast. Delicious with lighter pastas and fish dishes.

Zonin / 1996 Soave Classico
95% Garganega, 5% Trebbiano
Light earth, yeasty, peaches and apricots. An excellent aperitif wine, especially for the price.

MODERATE

Allegrini / 1995 Valpolicella Classico Superiore La Grola
70% Corvina, 20% Rondinella, 5% Molinara, 5% Sangiovese
Smooth, creamy, spice and dark fruits. A Valpolicella fit for red meat.

Anselmi / 1996 Soave Classico Superiore Capitel Croce
100% Garganega
Tropical fruit, coconut, vanilla and light spice notes. Delicious by itself or with lighter meats.

Bisol / N.V. Prosecco di Valdobbiadene Crede
100% Prosecco
Bone-dry, minerally, grapefruit pith. Definitely an aperitif-style sparkler and great with a plate of oysters on the half-shell.

Boscaini / 1993 Valpolicella (Ripasso) Santo Stefano de le Cane
Corvina, Rondinella, Molinara
Rich, full-bodied, dark fruits, chocolate and spice. Delicious with lamb and game.

Cavalchina / 1996 Bianco di Custoza Amedeo
Cortese, Garganega, Trebbiano
Rich, ripe pears, light yeastiness. Impressive for the genre and an incredible choice with veal and pork.

Prà / 1996 Soave Classico Superiore Monte Grande
90% Garganega, 10% Pinot Chardonnay
Apricots and cream, minerally, very elegant. A perfect partner with poultry and fish.

Vincenzo Toffoli / N.V. Prosecco di Conegliano Extra Dry
100% Prosecco
Dry, white peaches, with notes of yeast and toast. Delicious with fish and lighter poultry dishes.

PRESTIGE

Allegrini / 1994 Recioto Classico della Valpolicella
Corvina, Rondinella, Molinara
Prunes and dried cherries, with spice and a touch of chocolate. Drink on its own or with a dessert, such as a spice cake.

Bertani / 1998 Amarone Classico Superiore
Corvina, Rondinella, Molinara
Dried plums and cherries, spice and earth. Always a class act. Delicious with game.

Bertani / 1985 Recioto Valpolicella Valpantena
Corvina, Rondinella, Molinara
Cherry liqueur filled dark chocolate candies, with a spritz, in a bottle. The perfect wine with a chocolate dessert.

Brigaldara / 1991 Amarone Classico
Corvina, Rondinella, Molinara
Dried plums and cherries, spice, chocolate. Still a little young and tannic.

Dal Forno Romano / 1988 Recioto della Valpolicella
Corvina, Rondinella, Molinara
Peppery, smooth, with dark fruit flavors of prunes and cherries. Drink instead of Port for a great finish to a meal.

Maculan / 1994 Acininobili
85% Vespaiolo, 10% Tocai, 5% Garganega
Honey, spice, dried pears and apricots. Cries out for blue cheese or just sip it on its own.

Masi / 1994 Ripasso Campofiorin
60% Corvina, 25% Rondinella, 10% Molinara
Tobacco, plums and a touch of toffee. Perfect with lamb or game.

G. Rizzardi / 1993 Amarone Classico
Corvina, Rondinella and Molinara
Dried cherries and strawberries, spice and alcohol. A perfect partner with lamb.

Villalta / 1993 Amarone I Communali
60% Corvina, 30% Rondineall, 5% Molinara, 5% Rossignola and other
Black cherry, blueberry and raisins, with an earthy element. Very luscious and soft black cherry flavors; long finish that is jammy, but clean. After dinner with veined cheeses.


Santé is a glossy format trade magazine for restaurant wine buyers and educators. I wrote as a freelancer for them on and off from the first issue in November 1996 until November 2002 when they decided to stop using freelance writers.

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