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The View From Missive Control

Space Frontier News
Space Frontier Society
A Chapter of the National Space Society
August 1994
Vol. 5, No. 6
Page 2

The View From Missive Control
by Dan Perlman, Editor

The month of July passed, with much space related fanfare. Yet, in some ways, it passed uneventfully. True, Shoemaker-Levy 9 did its dive into our Jovian neighbor. But Jupiter didn’t blow up, go reeling of course, or suddenly have its atmosphere peeled off to head out into the Oort cloud. And there were folk out there predicting such excitement. I even picked up a little sidebar in a local religious paper which quotes one Rabbi Shmuel Butman, a local Lubavitch Hasidic rabbi, who says the whole comet thing was predicted in the 13th century in one of the ancient Jewish mystical texts, the Zohar. The fulfillment of this prophecy, he apparently claims, means that redemption is near. Perhaps.

The Apollo program was duly commemorated, with interviews of former astronauts, pieces in local papers giving so-called expert opinions about those same astronauts, quotes from various scientists and political figures about what they think about where the space program has gone, and some wretchedly inaccurate TV productions (Moon Shot, For All Mankind, for example). Most seemed to feel that while much is happening, the public not only doesn’t know, but doesn’t care. They may be right, and that’s where SFS comes in. It is, I think, time that we (once again?) go for a major membership boost. One on one recruitment is fine to a point, but at times it seems we are losing as many old members as we are gaining new. If you’ve been following Carolyn Josephs’ update on the Education Committee, you know that big doings are afoot to engage teachers and through them, students, in our future in space.

None of this is to suggest that things are gloomy. If you check out the current space news, you’ll see we have good news on the Delta Clipper, the Space Station, and a couple other goodies. David Anderman contacted me last minute to let me know that the “Back to the Moon”ill has been accepted by the House Committee on Space & Science…

“Back to the Moon Bill”

The Lunar Resources Data Purchase Act is a bill to encourage the development of a commercial space industry in the United States, and to regain the leadership of the United States in the field of lunar science. The bill has been incorporated in the House of Representatives version of the NASA Authorization for Fiscal Year 1995. If the U.S. Senate passes a NASA Authorization for Fiscal Year 1995, then a congresional committee to reconcile the two versions of the NASA Authorization is expected to keep the Back to the Moon bill in the final law. Space activists are requested to send a letter to their Senators asking them to pass a NASA Authorization for Fiscal Year 195 that includes the Lunar Resources Data Purchase Act.

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The Rocca-Haggerty Dinner

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The second dinner in the series…

Sautéed Wild Mushrooms Rognon
N.V. Collin Blanquette de Limoux Brut

Rack of Baby Lamb
Swiss Chard & Gorgonzola Ravioli

1990 Palmer Vineyards Cabernet Franc

Selection of Cheeses
E. Lustau Don Nuño Dry Oloroso

Chocolate Cinnamon Frozen Souffle
Saffron Sauce

1990 Peter Lehmann Botrytis Riesling

…which resulted in three of us writing up our impressions… we had way too much time on our hands. In order, written by me, John Haggerty, and then Frank Rocca.

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The View From Missive Control

Space Frontier News
Space Frontier Society
A Chapter of the National Space Society
July 1994
Vol. 5, No. 5
Page 2

The View From Missive Control
by Dan Perlman, Editor

I’ve just returned from watching the rockets’ red glare, the bombs bursting in air, and all that, as the city and Macy’s put on their annual firework show. After watching how excited people get over little teeny rockets that blow up into bright colors and make noise, it occurred to me that that’s the way the American public used to be about the space program. (Well, we didn’t want the rockets blowing up in technicolor, but you get the idea.) Darrell Coles contributes to the newsletter this month with some ideas of his own on how we might be able to wake up our friends and neighbors to the wonders of space, far beyond the East River.

We also have our first installment in a series of essays collected in SFS’ recent essay contest – and with the dozens and dozens of entries we got, we know there’s some inspiration out there in a new generation. Robin CP Vermuccio of our own Education Committee joins us with a short review of a book that makes great reading for the younger set. (Sorry Robin, I just didn’t have room for all three.)

As might be expected, given the elections at the last meeting, our President’s Message is delivered this month by Greg Zsidisin. Congratulations Greg on your landslide victory! It was almost as if you ran unopposed….

And congratulations to our other winners: Sam Liebowitz is (still) vice president and treasurer; Linda DeLaurentis takes over as secretary; and the entire slate of eight board candidates became the board – Darrell Coles, Bill Engfer, Carolyn Josephs, Seth Potter, Paul Roseman, Alan Wasser, Steven Wolfe and yours truly.

Greg advises us that the dealine for the early registration price on our own ISDC ’96 has been extended to September 15th. JPL has published a predicted schedule for the best viewing of the Shoemaker-Levy comet collision with Jupiter – for Easter North America, they’re placing bets on 7:34 p.m. on Saturday, July 16th. Let’s hope for an early sundown.

A Happy Spaceweek and Moon Day to all of you, see you at the picnic!

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Breaking the Fast with Breakfast

GENRE
July 1994

Hungry Man
Breaking the Fast with Breakfast

The Meal Nobody Eats

In the course of an average day, the mythical average American adult watches four hours and 12 minutes of television and flips through a magazine for entertainment, and, no doubt, for the half-dozen breakfast ads for cereal, orange juice, coffee, English muffins, and at least one of a small child berating a parent for not eating a Pop-Tart. We are a culture obsessed with a meal we don’t even eat: breakfast.

We have to go to the gym. We have to get to the bank. We have to finish paperwork. We have to get dressed. We have no time. We have to get a child off to school. We have nothing in the cupboards or refrigerator that looks good. Basically, if whatever deity may or may not exist up in the sky thought breakfast was so important, it would have made the menus much more interesting.

Most of us grew up on breakfast cereal. Lovely little flakes, crunchy nuggets and colorful, squishy marshmallows abounded in bowls all across America. Prepackaged and processed breakfast cereal was introduced in the 1860s to the unsuspecting public by an equally unsuspecting cadre of Seventh-Day Adventists at their sanitarium in Battle Creek, Michigan. The latter were merely trying to add to their vegetarian diet. The former just wanted something to eat besides bacon and eggs.

Squirreled away (can I use squirreled in relation to a sanitarium?) in the facility was one C.W. Post. And living nearby was local resident W.K. Kellogg. Need I say any more about what happened between that sanitarium and Madison Avenue?

I am of the opinion that breakfast should provide your most balanced meal of the day. A proper selection for each of the four basic food groups is an absolute necessity: sugar, fat, salt, and caffeine. So yes, a sardine omelet, Bavarian cream doughnut and espresso would be a proper breakfast. But thanks, I won’t be joining you this morning.

We don’t want our nutritionists to keel over wholesale in horror. (Well, maybe just some of them.) In order to achieve the proper balance and still provide for something that the remaining nutritionists would only gasp politely at, we have to get creative.

About a squillion years ago, a friend gave me a coffee recipe guaranteed to charm that special guest on a first Saturday morning. that was back in the days when we believed in one-night stands and weekend romances. We have, of course, outgrown that belief. My friend called this Brazilian Coffee; I haven’t really a clue why, and neither do my Brazilian friends.

Brazilian Coffee

Serves 2

1 cup strong, fresh coffee
1 tablespoon sugar
a pinch of salt
1 ounce bittersweet chocolate
1 cup half & half (or ½ cup milk and ½ cup heavy cream)
1 teaspoon vanilla extract
1 cinnamon stick

Combine the coffee, sugar and salt in a pan. Warm over medium heat until the sugar dissolves. Add the chocolate and continue cooking, stirring steadily, for three minutes. Whisk the half & half and the vanilla into the mixture and continue cooking another three minutes. Break the cinnamon stick in half, put each piece in a large coffee mug and pour the coffee mixture over.

That wasn’t so hard, was it? How about baking up a few muffins to impress that stud muffin still asleep in the other room?

Citrus (Stud) Muffins

1½ cups all-purpose flour
3 tablespoons sugar
2½ teaspoons baking powder
½ teaspoon salt
1 egg
¾ cup milk
⅓ cup unsalted butter
grated rinds of 1 orange, 1 lime and 1 lemon

Preheat your oven to 400 degrees. Sift together the flour, sugar, baking powder and salt. Melt the butter over low heat. Beat the eggs, milk, butter and grated rinds together and stir into flour mixture. Stir until just mixed; if you stir too much, the muffins will be chewy. Pour into greased muffin cups (⅔ full in each one) and bake for 20 minutes, until a toothpick stuck in the center comes out clean, and the tops are golden brown. Makes about a dozen.

And that about covers our four basic food groups. So get creative with your mornings. And next time someone says you can have two eggs “any style,” let’s see just what kind of style you have…


Genre is a gay “lifestyle” and travel magazine. It was launched in 1992 by three entrepreneurs, two of whom shortly thereafter left to found QSF magazine. I went with them…

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Letters from New York

Le Repertoire
Miami Chapter of the American Culinary Federation
June 1994
Page 6

Letters from New York

Pea shoots are no longer in. That’s the word from the frontlines here in the Big Apple. I have to admit, I never quite understood why pea shoots were in in the first place, but they were. Baby vegetables are still in. I’ve seen some absolutely stunning presentations of baby beets (come to think of it, I think I designed one of the plates…) using red, yellow, and pink and white striped beets – so sweet they melt like candy in your mouth. Morel mushrooms are making a comeback. After several years of shiitakes, enokis and portobellos, morels are now the mushroom of choice in trendy restaurants across Manhattan Island. Somehow or other we skipped the $125 a pound matsutake insanity.

Speaking of trendy restaurants, I’m not sure that they’re quite the trend anymore. While last year there was a big hullabaloo about the return to “comfort foods,” somehow or other that didn’t end up meaning menus overflowing with pot-pies, fried chicken, and macaroni and cheese. Sure a few daring chefs dared to try such outré items, but that wasn’t quite what the populous wanted. They wanted things that “reminded” them of comfort food. You know, maybe put a little cheese on something, or a sauce that was just slightly heartier than a celery infusion?

See, the problem is, we chefs and the media have gotten everyone so into these bright oils and vinegars and teeny dices of vegetables, that they all went out and learned how to do those things at home. Now, when they go out, they want something different. They want, dare we say it, classic cuisine. Maybe not thick, heavy butter and flour sauces, but definitely headed that direction. As Australian humorist and food writer Terry Durack recently put it, who said we have to be thin anyway?

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Most Works-in-Progress Aren’t Meant To Be Reviewed

CaB Magazine
June 1994

Theater Reviews

I am faced with an apparent dilemma. I just saw a delightful new musical work and am ready to recommend it to virtually anyone. On the other hand, it is a work-in-progress, I don’t know how it will turn out in the end, or even when (if?) it will be performed again, and friends in the business say it’s unfair to review something in progress anyway. So shoot me; nobody can be fair all the time.

We wandered down to the Under One Roof Theater in Tribeca, a nice little dive that doesn’t quite hold an entire audience. Our plan was to see Most Men Are, a new work by Stephen Dolginoff, who recently won the 1994 Bistro Award in the category of Outstanding Book, Music and Lyrics for his musical One Foot Out The Door (praised by Maryann Lopinto and panned by Andrew Martin in various back issues of CaB). Once inside, grabbing whatever space we could, we were greeted by an almost-bare stage, the only props a table and chairs. The setting – according to our program – a New York City apartment, the time – the present.

The show’s opening number, “You Won’t Die Alone”, introduces us to an attractive young couple, Russ and Scott (Joel Carlton and James Heatherly), the latter of who is about to die. This, he apparently does, quietly and without audience involvement, sometime between the first and second numbers. The balance of the show is sprawled across the weekend of his funeral, with Scott’s stifling father, Jack (Chris Lindstrom), and obnoxious, homophobic brother, Larry (Roger Seyer), dropping in to stay with Russ. To top it off, Larry and Jack haven’t seen or spoken to each other in nine years, and never got along in the first place.

The show’s tension builds between the three living characters, with Larry and Jack doing little to be civil to each other, and then only in deference to Russ’ exhortations to remember why they are there. Russ, for his part, spends an awful lot of time looking to his karma and stars for guidance, much to the consternation of the familial duo. Over drinks, the three fall into a series of vignettes, where each remembers times spent with Scott. Scott, for his part, keeps popping out from behind a black curtain to take part in the memories.

Larry leads us through their childhood together, with Scott idolizing his older brother and never quite understanding why daddy treats the rebellious Larry as non-existent and spoils Scott rotten (something we find out later in Jack’s number “When I Came Home At Night”. Perhaps the funniest number in the show is “Daddy’s Playboy Magazines”, a tribute to a discovery that many of us made in Dad’s lower nightstand drawer. We, and Jack, also get to see what not having his father’s love has meant to Larry in “Melinda”.

For his part, Jack leads us through his fantasy of the perfect son, Scott. We get to see Scott’s coming out, in the song “What If”, a beautifully-performed ballad that, for my two cents, was the best number of the show (the song is reprised later when he lets Russ know he has AIDS). Jack drives Scott towards success that never comes and drives Larry out and into the achievement that he never expected in “You Can Do Anything”.

Russ shows us meeting Scott in a bar, where he performs a seductive, if completely off-the-wall pickup of Scott, and the new couple’s search for the perfect apartment in two numbers “Something Bound To Begin” and “The Perfect Place On Christopher Street”. The seduction song is worthy of writing down the lyrics – just to try out on a slow night next time you’re feeling lonely.

The show ends with two numbers, reliving Scott’s last moments in the hospital through “My Body” and “Urban Legend”, and a post-funeral scene with the entire cast considering “Maybe Next Christmas” as Larry and Jack seem to find a provisional truce.

The music and lyrics are good, at times great, and with no particular sour notes. No doubt there will be some changes to look forward to here and there that will only improve what already works. James Heatherly, playing a moody ghost of a character, is a delight to watch as he bounces from one emotion to the next. His soft, lyrical voice is perfect for ballads, and he can sing one to me any time. Joel Carlton, despite his bold, dark-haired, incredibly blue-eyed looks and powerhouse voice, manages to pull off being a bit of a space cadet rather well. Roger Seyer has captured that special spot in life that is reserved just for homophobic brothers who also happen to love their gay brothers, and still manages to be a defiant brat at the same time. Chris Lindstrom (who looks a lot like the guy who played the dad in the TV show ALF), plays both disappointed and proud daddy impeccably, at the same time.

Is it fair here to point out the negatives? Probably not, for this is a work-in-progress. However, I only have two criticisms of the show, and both are in the staging. First, all four actors need to figure out what to do with themselves when they aren’t “active”. There was a little too much lookign around into space, thumb-twiddling, and looking bored while their co-stars were up performing numbers. The second not is one of volume. The Under One Roof Theater is a small venue, and the singing voices of the four need to be modulated to fit it (or wherever they end up playing). Joel Carlton belted out most of his numbers in a voice that no doubt was heard by folks passing through the nearby Holland Tunnel, while at the other end of the spectrum, Chris Lindstrom, who is operatically trained, was holding his volume back to the point where at times he was drowned out by one of those same cars exiting at the New Jersey end.

The question in this day and age is, do we really need another show about someone dying of AIDS? Probably not, but in truth, this show is more about remembering someone’s life before they were dying of AIDS. And that, is something we all need. Admittedly, the show is uneven, but that’s what a work-in-progress performance is for. It is well-written, well-cast, and, well-destined, in my opinion, to be another hit for Stephen Dolginoff.

CaB magazine was one of the first publications I ever wrote for. Published by my dear friend Andrew Martin, it covered the Cabaret, Theater, Music and Dining scene in New York City, long before slick publications like Time Out NY and Where NY became popular. We had great fun writing it, and some wonderful writers contributed to its pages. When the magazine folded in the mid-90s, Andrew disappeared from the scene, and rumors had it that he departed from this existence not long after. I was thrilled to find out in mid-October 2005, a decade later, that the rumors were just that. Andrew contacted me after finding my site via that omnipresent force, Google. He’s alive and well and a member of a comedy troupe called Meet the Mistake. Somehow quite fitting!

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Cafe Mogador, El Quijote

CaB Magazine
June 1994

You Are Where You Eat
Restaurant Reviews

Repeat after me; I’m not going to pay a lot for this Moroccan food. And at Cafe Mogador, you’re not. This is one of those quiet little finds that you discover yourself going back to over and over again. Or at least, I do. I first found this place shortly after moving into the neighborhood. There I was, wandering along enjoying the ever-changing pageant that is St. Marks Place. Up ahead, a small sidewalk cafe beckoned, and soon I found myself somewhere between Casablanca and Marrakech.

The place itself is about what you’d expect from a small, East Village-y cafe. Yes, there are touches of Morocco all around – the artwork, the rugs, Bogie and Bacall… Well, perhaps not. Regardless, those touches that are present serve merely to suggest a far-off land, though the cafe itself remains firmly planted…somewhere. We turn to the menu with its reassuring words, “Everything on our menu is made fresh in our kitchen daily.” Words for a restaurateur to live by.

The selection is short, but representative. Couscous, tagines, bastilla, kebabs, and those standards of New York-Middle Eastern fare, humus/falafel style combination plates. Start with a plate of mixed appetizers – marinated mushrooms or beets, babaganoush, tabouli, humus, herbed potato salad, cucumber yogurt, spicy carrots – on my part, I’m virtually always happy with a good-sized helping of spicy chickpeas and Moroccan cured black olives. Occasionally, a Greek salad with tahini dressing is in order, at other times the house salad with endive, beets, cucumbers and red onions.

Let’s face it, we can get falafel and humus at any of a couple dozen places in Manhattan. Cafe Mogador may serve some of the better of the genre around, but that’s not what they specialize in. The couscous is the real hit here. Light, fluffy grains of semolina pasta perfectly steamed over broth. Your choice of vegetarian, chicken, lamb or merguez sausage, or even a combination of these are added in. And on the side, a melange of turnips, carrots, cabbage, zucchini, pumpkin, chickpeas, and onions and raisins that have been simmered in honey. Add a touch of the spicy harissa sauce – a fiery blend of red peppers, olive oil and garlic – and your tastebuds will think they’ve died and gone to heaven.

But perhaps one night, we’re not in a mood for coucous. A delicious chicken or lamb tagine – long-stewed with spices, vegetables, and a touch of lemon seems more fitting. My personal favorite is the bastilla – a layered chicken pie of crisp phyllo pastry, lemon-flavored eggs, almonds and cinnamon – that generally leaves me wishing I was just a little bigger so I could fit another piece in. The only disappointing note for me personally, and not all my friends agree, is the merguez sausage. This is a spicy beef sausage that unfortunately just isn’t spicy here – though I admit it’s still pretty tasty.

Desserts change on and off, but we can generally count on some interesting fruit pies and I recently had a delicious raspberry and almond tart. But the real winner here is the melt-in-your-mouth, super-sweet, super-rich, out-of-this-world baklava. I honestly don’t think I’ve had better here in New York. Topped off with a thick, steaming cup of sweetened Turkish coffee (why not Moroccan coffee?), this place is a delight.

Cafe Mogador, 101 St. Marks Place (at 1st Avenue), (212) 677-2226. Open 7 days a week for dinner, Monday through Friday for lunch. Cash only, delivery available. $15 – $25 for dinner.

Somewhere in the back of my mind a haunting voice starts singing “little bird, little bird…” Perhaps it’s because my eyes have lighted on the entrance to this establishment’s back room, labelled “The Dulcinea Room”. We are in tre, or should I say mucho, Man of La Mancha territory. No windmills in sight, no charging knights on donkey-back, we venture forward into El Quijote.

This is one of those places that someone took me to early on in my New York residency, and I fell in love with it right off the bat. How can you pass up a place where the menu assures you that Manny (the owner)’s family has been passing down their secret recipe for not only Spanish Coffee, but Sangria, for generations! How can you pass up a place where you can get a platter of luscious, whole broiled lobsters at a price that even Uncle Scrooge would pry open his wallet for?

A pitcher of Sangria on the table, perhaps some “regular” wine from the cellar too (a couple of my favorite Riojas grace the short list) and we’re ready to wade into the menu. The garlic soup is a must – rich chicken and egg broth, seasoned with sweet-roasted garlic and saffron. For the sausage folk amongst us, a platter of sizzling grilled chorizos. I like the Serrano ham with cured Spanish olives (you can have it with melon if you prefer). Then, we look at the list of main courses.

Some of us will, of course, order a broiled lobster or two. Maybe a small little one-pounder, or if hungrier, perhaps a two- or three-pounder. The full selection of proper Spanish seafood dishes is present. Shrimps, scallops, clams, mussels and lobster are graced with green, white, garlic and egg sauces available. You want a little chicken thrown in? No problem. Some sausages? Ditto. Maybe a little extra lobster? Okay. The classic paella twins – Valencia and Marinera – are available with, respectively, chicken and sausage or a mix of seafood.

Some nights we’re just not in the mood for seafood and garlic. So, okay, in truth, we’ probably would just go somewhere else, because those things are why we come here. But the menu does include some truly tasty veal and chicken dishes. I have to admit, with the exception of one time when we managed to split a flan four ways at a table, we’ve never had enough room left for dessert. So I can’t even tell you if it’s good, though I’d bet it is. Top the night off with that secret Spanish coffee, and head off into the night ready to tilt at your closest windmill.

El Quijote, 226 W. 23rd Street (between 7th and 8th Avenues at the Chelsea Hotel), (212) 929-1855. Open 7 days a week for lunch and dinner. Cash and major credit cards. $25 – $35 for dinner.

CaB magazine was one of the first publications I ever wrote for. Published by my dear friend Andrew Martin, it covered the Cabaret, Theater, Music and Dining scene in New York City, long before slick publications like Time Out NY and Where NY became popular. We had great fun writing it, and some wonderful writers contributed to its pages. When the magazine folded in the mid-90s, Andrew disappeared from the scene, and rumors had it that he departed from this existence not long after. I was thrilled to find out in mid-October 2005, a decade later, that the rumors were just that. Andrew contacted me after finding my site via that omnipresent force, Google. He’s alive and well and a member of a comedy troupe called Meet the Mistake. Somehow quite fitting!

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The View From Missive Control

Space Frontier News
Space Frontier Society
A Chapter of the National Space Society
June 1994
Vol. 5, No. 4
Page 2

The View From Missive Control
by Dan Perlman, Editor

We’ve entered upon interesting times this summer. The newspapers are full of news about the Clipper – not the Delta, but a silly little scrambling chip for telephonic communications. By the time most of you read this, you’ll already know that not only is it designed to allow government wiretapping, but it has a built-in design flaw that allows other folk to do the same. Yet, the funding is there for this Clipper – design flaws and all. Governmental priorities at work, I suppose.

ISDC 1994 has come and gone. The Space Frontier Society was well represented by Seth Potter, David Millman, Robert DeBiase, Allan Wasser and Ray Noonan. Our cover article this month is David’s report on the conference – and hopefully next month we’ll have a write-up from Seth on the Solar Power Satellite Working Group.

Greg Zsidisin reminds everyone that the deadline for registering for ISDC 1996 at the advance rate of $45 is coming up fast – June 15! If you’re planning to take advantage of this reduced price, get your check in to: Space Expos of America, Inc., P.O. Box 71, Maplewood, NJ 07040.

On other fronts, as reported by Greg in his monthly news coverage, our distant neighbor, Jupiter, is due to receive an uninvited party-crasher – the Shoemaker-Levy comet. The Clementine mission completed its moon mapping and now has gone off on what the Australians might call a walkabout. And the Hubble Space Telescope has gone and found itself a black hole and some rings around a supernova.

In June, NASA has a scheduled Pegasus launch into low earth orbit for further stratospheric ozone study, and in July, a planned launch of the shuttle Columbia will carry a payload that includes microgravity, acceleration, amateur radio, and crystal growth experiments.

Carolyn Josephs reports on the results of our first essay contest and the upcoming teachers’ conference. She has also graciously worked up a list of the participants in the contest, and is busy putting together a presernationa of some of the best work submitted for next month’s issue.

Finally, Linda DeLaurentis has written what she claims is her last President’s Message, as she steps down from her term in office. Linda is the one who signed me up, not only for SFS, but also to edit this newsletter – which was no easy task on her part. A big thank you for a job well done!

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